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Tannoy Legacy Series

 

 

 


 

 

µà¾ó Äܼ¾Æ®¸¯ÀÇ Åº»ý

 

 

ź³ëÀÌ´Â Á¤È®È÷ 1947³â, µà¾ó Äܼ¾Æ®¸¯ ¹æ½ÄÀÇ µå¶óÀ̹ö¸¦ ¸¸µé¸é¼­, ¸í¹® ½ºÇÇÄ¿ ¸ÞÀÌÄ¿·Î ÀÚ¸® Àâ¾Ò´Ù. ÃÖÃÊÀÇ ¸ðµ¨Àº LSU/HF/15LÀ̶ó´Â À̸§À» °®°í ÀÖ´Ù. ÁÙ¿©¼­ 15LÀ̶ó°í ÇÏÀÚ. ¿©±â¼­ 15¶ó´Â ¼ýÀÚ°¡ ¾Ï½ÃÇÏ´Â °ÍÀº ¹»±î? ¹Ù·Î 15ÀÎÄ¡ ±¸°æÀ̶ó´Â °ÍÀÌ´Ù.

 

Á¤Áß¾Ó, ¸»ÇÏÀÚ¸é ÆäÀÌÁî Ç÷¯±× ºÎºÐ¿¡ °í¿ªºÎ(HF: High Frequency)°¡ À§Ä¡ÇØ Àִµ¥, ÇöÀç´Â °Å±â¿¡ ¾ãÀº ¿øÅëÀÌ ´ã°Ü ÀÖ°í, ±× ¼Ó¿¡ Æ®À§ÅÍ°¡ ¼û¾î ÀÖ´Â ±¸Á¶´Ù. ÇÏÁö¸¸ ¿À¸®Áö³Î ±â¿¡´Â ¿øÅëÀÌ ¾ø°í, ±×³É Æ®À§Å͸¸ ´Þ·Á ÀÖ´Ù. ³ªÁß¿¡ ÁøÈ­¸¦ °ÅµìÇϸ鼭 ¹Ù²ï °ÍÀÌ´Ù.

 

ÀÚ¼¼È÷ µé¿©´Ùº¸¸é, ¹Ìµåº£À̽º Áøµ¿ÆÇÀÌ Á» ƯÀÌÇÏ´Ù. °¡¿îµ¥°¡ ¿òÇ« ÆÒ ÇüÅ·Î, ¿·¿¡¼­ º¸¸é ÀÏÁ¾ÀÇ ³ªÆÈó·³ µÇ¾î ÀÖ´Ù. ÀÌ ºÎºÐÀÌ Àý¹¦ÇÏ´Ù. Áï, ÀÏÁ¾ÀÇ È¥°ú °°Àº ±¸Á¶¸¦ ÃëÇÏ°í ÀÖ´Â °ÍÀÌ´Ù. Æ®À§ÅͺÎÀÇ È®¼º±â ¿ªÇÒÀ» Çϸ鼭, ÁßÀú¿ª´ë¸¦ Ä¿¹öÇÏ´Â, ¸»ÇÏÀÚ¸é µÎ °¡Áö ¿ªÇÒÀ» ¸Ã°í ÀÖ´Â °ÍÀÌ´Ù.

 

´ç½Ã °³¹ßÀ» Çϸ鼭 ź³ëÀÌ´Â ¾ËÅØ 604¸¦ ¸é¹ÐÈ÷ »ìÆñ´Ù. Áß¾Ó¿¡ ´Þ¸° È¥ÀÌ ¹®Á¦¿´´Ù. ±× °á°ú, È¥°ú ¹Ìµåº£À̽º°¡ ¸¸³ª´Â ºÎºÐ¿¡ °¸ÀÌ »ý°å´Ù. Áï, Áß¿ª´ë°¡ Á» ºñ¾î¹ö¸° °ÍÀÌ´Ù. ¶Ç È¥ ÀÚü°¡ ¹Ìµåº£À̽ºÀÇ ¿òÁ÷ÀÓ¿¡ °É¸®Àû°Å¸®´Â ºÎºÐµµ ÀÖ¾ú´Ù. ±×·¡¼­ µû·Î È¥À» ´ÞÁö ¾Ê°í, ¹Ìµåº£À̽º µå¶óÀ̹öÀÇ ±¸Á¶¸¦ º¯Çü½ÃÅ°¸é¼­ È¥°ú °°Àº ¿ªÇÒÀ» ¸Ã±ä °ÍÀÌ´Ù. Á¤¸» Àý¹¦ÇÏÁö ¾ÊÀº°¡?


 


 

 

ź³ëÀÌÀÇ È濪»ç

 

 

 

ź³ëÀÌ(Tannoy)ÀÇ Ã¢¸³ÀÚ °¡ÀÌ R. ÆÄ¿îƾ(Guy R. Fountain)

 

ÀÌÁ¦ ½Ã°£Àº 1974³âÀ¸·Î ¿Ã¶ó°£´Ù. Àú È­·ÁÇÑ 1950~60³â´ë¸¦ º¸³½ ź³ëÀÌ´Â ´ç½Ã ½É°¢ÇÑ ¹®Á¦¿¡ ºÀÂøÇØ ÀÖ¾ú´Ù. Çϳª´Â â¾÷ÀÚ °¡ÀÌ ÆÄ¿îƾ ¾¾°¡ °í·ÉÀ¸·Î ÀÎÇØ ÀºÅ𸦠¼±¾ðÇÑ °Í. ¶Ç Çϳª´Â ºñ½ÁÇÑ ½Ã±â¿¡ °øÀå¿¡ ºÒÀÌ ³µ´Ù. ±×·¯¹Ç·Î Àú À¯¸íÇÑ ¸ð´ÏÅÍ ºí·¢ÀÌ¸ç °ñµå¸¦ ´õ À̻󠸸µé ¼ö ¾ø°Ô µÇ¾ú´Ù. ¾þÄ£ µ¥ µ¤Ä£ °ÝÀ¸·Î ¿µ±¹ ÀÚüµµ °æÁ¦ »óȲÀÌ ÆдРÀϺ¸ Á÷Àü. µû¶ó¼­ ¾Æ¹«µµ ź³ëÀÌ¿¡ °ü½ÉÀ» µÎÁö ¾Ê¾Ò´Ù. ÀÌ·± ½ÄÀ̶ó¸é ¼ø½Ä°£¿¡ ȸ»ç°¡ ¾ø¾îÁú »óȲÀ̾ú´Ù.

 

 

 

Çϸ¸Ä«µ·(Harman Kardon)ÀÇ Ã¢¾÷ÀÚ ½Ãµå´Ï Çϸ¸(Sidney Harman)

 

 

´ÙÇàÈ÷ ±¸¿øÀÇ ¼Õ±æÀÌ Àú ¸Ö¸® ¹Ì±¹¿¡¼­ ¿Ô´Ù. »ç½Ç ź³ëÀ̸¦ ÀμöÇÑ È¸»ç´Â Àú À¯¸íÇÑ Çϸ¸ Ä«µç. ´ç½Ã µ¿»ç¸¦ ÁÖÀçÇÏ´ø ½Ãµå´Ï Çϸ¸ ¾¾´Â Á¶±Ý¾¿ ȸ»çÀÇ ±Ô¸ð¸¦ Å°¿ö°¡°í ÀÖ¾ú´Ù. À̹̠Çϸ¸ Ä«µç»Ó ¾Æ´Ï¶ó, JBL, ´ÙÀ̳ªÄÚ, ¿À¸£ÅäÆù µîÀ» ÀμöÇÑ »óÅÂ. °Å±â¿¡ ź³ëÀ̸¦ ´õÇÑ °ÍÀÌ´Ù.

 

ÇÏÁö¸¸ ¿äÁò ±â¾÷ °£ÀÇ M&A¿¡¼­ º¸´Â ¹«ÀÚºñÇÏ°í, ½Î°¡Áö ¾ø´Â Àμö´Â ¾Æ´Ï¾ú´Ù. ÀÌ °úÁ¤¿¡¼­ Çϸ¸ ¾¾´Â ÆÄ¿îƾ ¾¾¿¡°Ô µÎ °¡Áö¸¦ ¾à¼ÓÇÑ´Ù.

 

ù°´Â ź³ëÀÌÀÇ ±âÁ¸ Á÷¿øÀ» ÀüºÎ °í¿ëÇÑ´Ù.

µÑ°´Â ź³ëÀÌ Æ¯À¯ÀÇ Á¦Ç° öÇÐÀ» Á¸ÁßÇϸç, ÀÏü °ü¿©ÇÏÁö ¾Ê´Â´Ù.


 


 

 

À§±â¸¦ ±âȸ·Î È°¿ëÇÏ´Ù.

 

 

¾î¶² Àǹ̿¡¼­, ź³ëÀÌÀÇ ¹Ì±¹ ½ÃÀýÀº ÀÏÁ¾ÀÇ ÀüÈ­À§º¹ÀÌ µÇ¾ú´Ù°í º»´Ù. ¸¸ÀÏ Çϸ¸ Ä«µçÀÌ ¾ø¾úÀ¸¸é, ÆÄ¿îƾ ¾¾°¡ ÀºÅðÇÏ°í, °øÀåÀÌ Å¸°ÝÀ» ÀÔÀº »óȲ¿¡¼­ ÀÚÄ© Àç±âºÒ´ÉÀÇ »óÅ¿¡ ºüÁú ¼ö ÀÖ¾ú´Ù. Çϸ¸ Ä«µçÀÇ µçµçÇÑ ÀçÁ¤Àû ÈÄ¿øÀÌ ¾ø¾úÀ¸¸é, º¹±¸ °úÁ¤ÀÌ ²Ï³ª Áö³­ÇßÀ¸¸®¶ó.

 

¶Ç Çϳª´Â ÀÌ·± °Å´ë ±â¾÷ÀÇ ÀÏ¿øÀÌ µÇ¸é¼­, Á» ´õ Å« ½Ã¾ß¸¦ È®º¸ÇÏ°Ô µÈ °ÍÀÌ´Ù. »ç½Ç ź³ëÀÌÀÇ Å¬·¡½ÃÄÃÇÑ ÀüÁ¤±â ½ÃÀýÀÎ 1950~60³â´ë¸¦ µ¹¾Æº¸¸é, ÁÖ·Â »óÇ°ÀÌ µå¶óÀ̹ö¿´´Ù. ÀÎŬ·ÎÀú¿¡ ´ã±ä ¿ÏÁ¦Ç°ÀÌ ¾Æ´Ï¾ú´ø °ÍÀÌ´Ù.

 

ÇÏÁö¸¸ ½Ã´ë´Â ¹Ù²î¾î¼­, ÀÌÁ¦´Â ¸¹Àº »ç¶÷µéÀÌ Å« ºÎ´ã ¾øÀÌ ¼Õ¿¡ ³ÖÀ» ¼ö ÀÖ´Â Á¦Ç°ÀÌ ÇÊ¿äÇØÁ³´Ù. 1970³â´ëºÎÅÍ º»°ÝÀûÀ¸·Î ºÒ¾î´ÚÄ£ ÇÏÀÌÆÄÀÌÀÇ ºÕÀ» ÀÌÁ¦¾ß ź³ëÀÌ´Â ÀǽÄÇÏ°Ô µÈ °ÍÀÌ´Ù.

 

±×·¯¹Ç·Î ÀÏ´Ü »õ·Î¿î µå¶óÀ̹ö °³¹ßºÎÅÍ ÀÌ·ïÁø ¹Ù, ¹Ù·Î HPD°¡ ź»ýÇÏ°Ô µÈ´Ù. ÀÌ°ÍÀº ¡°High Performance Dual-Concentric¡±ÀÇ ¾àÀÚ´Ù. ¿À¸®Áö³Î µå¶óÀ̹öºÎÅÍ 5¼¼´ë°¿¡ ÇØ´çÇÑ´Ù.

 

ÀÌ·± °í¼º´É µå¶óÀ̹ö¸¦ ¹ÙÅÁÀ¸·Î, ½ºÆ©µð¿À ¸ð´ÏÅÍ ½ÃÀåÀ» °Ü³ÉÇϸ鼭 ·±ÄªÇÑ ¾ËÆĺª ½Ã¸®Áî°¡ 1976³â¿¡ º»°ÝÀûÀ¸·Î ³ª¿Â´Ù. ³ª´Â °³ÀÎÀûÀ¸·Î ÀÌ ½Ã¸®Áî°¡ ź³ëÀÌ Àü ¿ª»ç¸¦ ÅëƲ¾î µÎ ¹ø°·Î Áß¿äÇÑ »ç°ÇÀ̶ó°í »ý°¢ÇÑ´Ù. ù ¹ø°´Â 1947³â¿¡ µà¾ó Äܼ¾Æ®¸¯ µå¶óÀ̹ö¸¦ ¸¸µç °ÍÀÌ°í, ¾ËÆĺª ½Ã¸®Áî°¡ ±×´ÙÀ½ÀÌ´Ù.

 

´ëü ±× ÀÌÀ¯°¡ ¹«¾ùÀϱî? ´ëºÎºÐÀÇ ¾ÖÈ£°¡°¡ À̶§ óÀ½À¸·Î ÇϳªÀÇ ¿ÏÁ¦Ç°À¸·Î, µå¶óÀ̹ö°¡ ¾Æ´Ñ Á¤½Ä ½ºÇÇÄ¿·Î ź³ëÀ̸¦ Á¢ÇÏ°Ô µÈ °ÍÀÌ´Ù. ¹°·Ð µå¶óÀ̹ö ´ÜÇ°À¸·Îµµ HPD ½Ã¸®Áî´Â ÆǸŵǾú´Ù. ÇÏÁö¸¸ ±×¿¡ ¸øÁö¾Ê°Ô ¾ËÆĺª ½Ã¸®ÁîÀÇ ÆÇ¸Å°íµµ ÁÁ¾Ò´Ù.

 

 

 

¿ÞÂʺÎÅÍ Åº³ëÀÌ ·¹°Å½Ã ½Ã¸®Áî(Legacy Series¾Æµ§(Arden), äºñ¿Ê(Chaviot)ÀÌÆ°(Eaton)

 

 

±×¸®°í Áö±Ý, ź³ëÀÌ´Â ÀÌ ½ÃÀýÀ» »õ·Ó°Ô Á¶¸ÁÇÏ°í ÀÖ´Ù. ±× °á°ú, ´Ù¼¸ Á¾¿¡ ´ÞÇÏ´Â ¾ËÆĺª ½Ã¸®ÁîÀÇ Á¦Ç° Áß 3°³¸¦ ¼±º°Çؼ­ ·¹°Å½Ã ½Ã¸®Áî·Î ·±ÄªÇÏ°í ÀÖ´Ù. ¿©·¯¸ð·Î Èï¹Ì·Î¿î »ç°ÇÀ̶ó°í º»´Ù. ƯÈ÷ HPD µå¶óÀ̹ö¸¦ ÀçÇؼ®ÇÏ°í, ¸Å¿ì ÄÞÆÑÆ®ÇÑ »çÀÌÁî¿¡ Á¤±³ÇÏ°Ô ´ã¾Æ³½ ºÎºÐÀº ¾Æ¹«¸® ĪÂùÇصµ ¸ðÀÚ¶óÁö ¾Ê´Ù.

 

±× ÁÖÀΰøÀº °¢°¢ ¾Æµ§, äºñ¿Ê ±×¸®°í ÀÌÆ°ÀÌ´Ù. ÀÌ Á¦Ç°µéÀÇ ½ºÆå¿¡ ´ëÇÑ ±â»ç´Â Â÷°í ³ÑÄ¡¹Ç·Î, À̹ø¿¡´Â ½ÃûÆò Áß½ÉÀ¸·Î ¼Ò°³ÇÏ°Ú´Ù.


 


 

 

ÀÌÆ° ½Ãû±â

 

 

 

 

ÀÌÆ°(Eaton)ÀÇ ½ÃûÀ» À§ÇØ, À¯´Ï½¼ ¸®¼­Ä¡ÀÇ ÀÎƼ Æ®¶óÀÌ¿Àµå 25¸¦ µ¿¿øÇß°í, ¼Ò½º±â´Â ¿ª½Ã µ¿»çÀÇ À¯´ÏÄÚ ÇÁ¸®¸ð¸¦ »ç¿ëÇß´Ù.

 

 

Ernest Ansermet, L¡¯Orchestre De La Suisse Romande

Nutcracker - March

Ansermet: Tchaikovsky - The Nutcracker (Digitally Remastered)

 

ù °îÀº ¾Ó¼¼¸£¸Þ ÁöÈÖ, Â÷ÀÌÄÚÇÁ½ºÅ°ÀÇ ¡´È£µÎ±î±â ÀÎÇü Áß ÇàÁø¡µ. ¿ª½Ã 10ÀÎÄ¡ ±¸°æÀÇ À§·ÂÀÌ ³ª¿Â´Ù. ÀüüÀûÀ¸·Î ½ºÄÉÀÏÀÌ Å©°í, ´Ù¾çÇÑ ¾Ç±âÀÇ Áú°¨ÀÌ »ì¾ÆÀÖÀ¸¸ç, ´ÙºÐÈ÷ ¿©¼ºÀûÀ̸鼭 µðÅ×ÀÏÇÑ À½ÀÌ ³ª¿Â´Ù. ½ºÇǵ嵵 óÁöÁö ¾Ê°í, ´ÙÀ̳»¹Í½ºµµ ºÐ¸íÇÏ´Ù. ƯÈ÷, °í¿ªÀ¸·Î ¸ô¾ÆÄ¡´Â ¹ÙÀ̿ø°±ºÀÇ ¿òÁ÷ÀÓÀÌ ½Ã¿ø½Ã¿øÇÏ´Ù. ºÏ¼¿ÇÁ´äÁö ¾ÊÀº ´ç´çÇÑ À½ÀÌ´Ù.

 

 

Duke Jordan - No Problem

Flight to Denmark

 

À̾ µàÅ© Á¶´øÀÇ ¡´No Problem¡µ. ÀçÁî´Â ¾î¶³±î ½Í¾ú´Âµ¥, ¸ð´ÏÅÍ °è¿­´ä°Ô Á¤È®ÇÑ À½À» ³½´Ù. ¼Õ¹Ù´ÚÀ¸·Î µÎµå¸®´Â ºÏ¼Ò¸®´Â ¾îµòÁö ¸ð¸£°Ô Åõ¹ÚÇÏÁö¸¸ ¿ø·¡ ±×·± Àǵµ·Î ¿¬ÁÖÇÑ °ÍÀÌ°í, ź·Â ³ÑÄ¡´Â ´õºí º£À̽ºÀÇ ¿öÅ·Àº ¸Å¿ì dzºÎÇÑ Àú¿ªÀ» ÀÚ¶ûÇÑ´Ù. ÀüüÀûÀ¸·Î ¹ë·±½º°¡ ¾çÈ£ÇÏ°í, Ä÷¸®Æ¼°¡ ³ôÀº À½ÀÌ ³ª¿Â´Ù. ÀÌ »çÀÌÁîÀÇ ½ºÇÇÄ¿¶ó º¸±â¿£ ³î¶ö ¸¸Å­ ³ÐÀº ¹«´ë°¡ ±×·ÁÁø´Ù. ÀûÀýÈ÷ ½ºÅĵ带 ¹ÞÄ¡¸é ½ºÅ×·¹¿À À̹ÌÁöµµ ¶Ù¾î³¯ °Í °°´Ù.

 

 

Mstislav Rostropovich

Schubert - Sonata For Arpeggione And Piano, D821: I. Allegro Moderato

Schubert¤ýSchumann¤ýDebussy: Cello Sonatas

 

¸¶Áö¸·À¸·Î ·Î½ºÆ®·ÎÆ÷ºñÄ¡ÀÇ ½´º£¸£Æ® ¡´¾Æ¸£ÆäÁö¿À ¼Ò³ªÅ¸ 1¾ÇÀ塵. ¿©±â¼­ ÿ·ÎÀÇ Á¸Àç°¨ÀÌ È®½ÇÈ÷ »ì¾Æ³­´Ù. ÀüÅëÀûÀ¸·Î ź³ëÀ̴ ÿ·Î¿¡ °­Á¡ÀÌ Àִµ¥, À̹ø ½Ãû¿¡¼­ ´Ù½Ã È®ÀÎÇÒ ¼ö ÀÖ´Ù. ±× ¾î´À ½ºÇÇÄ¿¿¡¼­µµ µéÀ» ¼ö ¾ø´Â ±í°í, Àå¾öÇÑ Ã¿·Î°¡ ³ª¿Â´Ù. ¿À·ÎÁö ÀÌ À½¸¸À¸·Îµµ º»Àü »ý°¢ÀÌ ³ªÁö ¾ÊÀ» Á¤µµ. ¹«Ã´ ¿À·¡Àü ³ìÀ½ÀÌÁö¸¸ ÀüÇô ³°Àº ±â¹Ì°¡ ¾ø´Ù. ¿ÀÈ÷·Á ¼øµµ°¡ ³ô°í, »ýµ¿°¨ÀÌ ³ÑÄ£´Ù. ¹èÈÄÀÇ ÀºÀºÇÑ ÇÇ¾Æ³ë ¹ÝÁÖ¸¦ ¹è°æÀ¸·Î, °¡È÷ ºñ·çÅõ¿ÀÁ¶ÀÇ ÃµÀǹ«ºÀ ¼Ø¾¾°¡ ÆîÃÄÁø´Ù. ±× ¾ÐµµÀûÀÎ ¿¬ÁÖ¿£ ÀÏü ÇÒ ¸»ÀÌ ¾ø´Ù. ºñ·Ï ´Ù¸¥ Á¦Ç°¿¡ ºñÇØ »çÀÌÁîµµ ÀÛ°í, ºÏ¼¿ÇÁ ŸÀÔÀÌÁö¸¸, ±× Ç÷ÅëÀº ¹«½ÃÇÒ ¼ö ¾ø´Ù.

 

Âü°í·Î ¿À¸®Áö³Î ÀÌÆ°Àº °¡ÀÌ ÆÄ¿îƾ ¾¾°¡ Á×±â Á÷Àü¿¡ ÀÚÅÿ¡¼­ ¾Ö¿ëÇß´ø ½ºÇÇÄ¿´Ù. ÀÌ·¸°Ô ÁøÈ­ÇÑ ¸ðµ¨ ¿ª½Ã ÁÁ¾ÆÇÒ °ÍÀ̶ó »ý°¢ÇÑ´Ù.


 


 

 

äºñ¿Ê ½Ãû±â

 

 

 

 

äºñ¿Ê(Chaviot)ÀÇ ½ÃûÀ» À§ÇØ ¾ÚÇÁ¿Í ¼Ò½º±â´Â ¿þÀ̹ö»ç·Î ÅëÀÏÇß´Ù. V-Pre, V-Power ±×¸®°í V-DAC´Ù. ¿©±â¿¡ ·éÀÇ À½¿øÀ» ÀûÀýÈ÷ È°¿ëÇؼ­ ´Ù¾çÇÑ À½¾ÇÀ» µé¾ú´Ù.

 

 

Anne-Sophie Mutter

Sarasate: Zigeunerweisen Op.20 - Moderato-Lento-Un Peu Plus Lent-Allegro Molto Vivace

Carmen-Fantasie

 

¿ì¼± ¾È³× ¼ÒÇÇ ¹«ÅÍ°¡ ¿¬ÁÖÇÏ´Â »ç¶ó»çÅ×ÀÇ ¡´Ä¡°íÀ̳׸£¹ÙÀÌÁ¨¡µ. 12ÀÎÄ¡ ±¸°æÀÇ ¿©À¯°¡ ´À²¸Áö´Â Àç»ýÀ½ÀÌ´Ù. ¶Ç Á¡ À½¿øÀÇ ÀåÁ¡ÀÌ Àß ºÎ°¢µÈ´Ù. Áß¾Ó¿¡ ¹ÙÀ̿ø°ÀÌ Á¤È®È÷ ¼­ ÀÖ°í, ±× ÁÖº¯À¸·Î ÀÚ¿¬½º·´°Ô ¿ÀÄɽºÆ®¶ó°¡ µÑ·¯½Î°í ÀÖ´Ù. À½ ÀÚüÀÇ ¿¡³ÊÁö¿Í ¹Ðµµ°¨ÀÌ ÀÏ´Ü ±Í¸¦ »ç·ÎÀâ´Â´Ù. °­·ÂÇÑ Ä«¸®½º¸¶°¡ ¹ßÈֵǾî, ¾Ç´ÜÀ» ¸®µåÇÏ´Â ¹«ÅÍÀÇ ¸ð½ÀÀÌ Àϸñ¿ä¿¬ÇÏ°Ô ÆľÇÀÌ µÈ´Ù. ´µ¾Ó½º°¡ dzºÎÇÏ°í, ¿ì¼ö¿¡ Âù µíÇÑ ´À³¦ÀÌ Àß Ç¥ÇöµÇ°í ÀÖ´Ù.

 

 

Eric Clapton - Layla

Unplugged (Live)

 

À̾ ¿¡¸¯ Ŭ·¦Æ°ÀÇ ¡´Layla¡µ. MTV ¶óÀÌºê ¹öÀüÀ¸·Î, ¿©±â¼­ Ŭ·¦Æ°Àº ¾îÄí½ºÆ½ ±âŸ¸¦ ¿¬ÁÖÇÏ¸ç ³ë·¡ÇÑ´Ù. ½ºÆ¿·Î ¸¸µé¾îÁø ÁÙÀÇ ÅÙ¼ÇÀÌ ³Ê¹« ³¯Ä«·ÓÁö ¾Ê°í, ÅëÀÇ ÀÚ¿¬½º·¯¿î ¿ï¸²µµ ÀλóÀûÀÌ´Ù. µå·³°ú º£À̽ºÀÇ ¸®µë ¼½¼ÇÀÌ ½Å¸í³ª°Ô ÆîÃÄÁø °¡¿îµ¥, ÇǾƳë¿Í ±âŸ µîÀÌ ¸ÚÁö°Ô ¾î¿ì·¯Áö°í ÀÖ´Ù. Áß°£Áß°£ µîÀåÇÏ´Â ÄÚ·¯½ºµµ ¸í·áÇÏ°Ô µé¸°´Ù. ¹«¾ùº¸´Ù Áß°£¿¡ ÆîÃÄÁö´Â ±âŸ ¼Ö·Î´Â, ¿ª½Ã ³ë·Ã¹Ì°¡ °¡µæÇÏ´Ù. ÀÌ·± ·ÏÀÇ Àç»ý¿¡¼­µµ È°·Â°ú ¿¡³ÊÁö°¡ Àß Ç¥ÇöµÈ´Ù.

 

 

Salena Jones - You Light Up My Life

Best Audiophile Voices

 

¸¶Áö¸·À¸·Î ¼¿·¹³ª Á¸½ºÀÇ ¡´You Light Up My Life¡µ. º¸Äÿ¡¼­ µ¿ÃàÇü ½ºÅ¸ÀÏÀÌ °®´Â ÀåÁ¡À» ´Ù½Ã±Ý È®ÀÎÇÒ ¼ö ÀÖ´Ù. ÀÏ´Ü ³»°ø ¸¸Á¡ÀÇ ¹¬Á÷ÇÑ ÁßÀú¿ªÀÌ ¸¶À½À» »ç·ÎÀâ´Â´Ù. ÀûÀýÇÑ ºñºê¶óÅ並 ¼¯Áö¸¸, Àý´ë·Î Áö³ªÄ¡Áö ¾Ê´Ù. ¶Ç¹Ú¶Ç¹Ú ¹ß¼ºÇÏ´Â ºÎºÐÀÌ Á¤È®ÇÏ°Ô ÀÓÆÑÆ®¸¦ ÁÖ°í, ÁÖÀ§¸¦ µÑ·¯½Ñ ¾Ç±âµé°ú ÀÏü À§È­°¨ÀÌ ¾øÀÌ ³ì¾Æµé°í ÀÖ´Ù. ÀüüÀûÀ¸·Î Â¥ÀÓ»õ°¡ ÁÁ°í, ¹ë·±½ºµµ Àß ÀâÇô ÀÖ´Ù. ¸ð´ÏÅÍ Å¸ÀÔÀÌÁö¸¸, ¾à°£ÀÇ ¹ÌÀ½(Ú¸ëå)µµ Æ÷ÇԵǾî ÀÖ¾î, µè´Â Àç¹Ì°¡ °¢º°ÇÏ´Ù.




 

 

¾Æµ§ ½Ãû±â

 

 

 

 

¾Æµ§(Arden)ÀÇ ½ÃûÀº ¸¶Å© ·¹ºó½¼ÀÇ No. 5805 ÀÎƼ ¾ÚÇÁ¸¦ ¿¬°áÇؼ­ µé¾ú´Ù. ¼Ò½º´Â ·éÀ» ÅëÇÑ Å¸ÀÌ´Þ. ¿©±â¼­ ÁÁ¾ÆÇÏ´Â Æ®·¢À» ¼±°îÇß´Ù. ¾ÚÇÁÀÇ ¼º°ÝÀÌ Àß ¹Ý¿µµÇ¾î, ºü¸£°í ½Ì½ÌÇÑ À½À» Ư¡À¸·Î ÇÑ´Ù.

 

 

Carlos Kleiber, Vienna Philharmonic Orchestra

Symphony No.8 'Unfinished' In B Minor, D.759 - I. Allegro Moderato 

Schubert: Symphonies Nos.3 & 8 "Unfinished"

 

ù °îÀº Ä«¸¦·Î½º Ŭ¶óÀ̹ö ÁöÈÖ, ½´º£¸£Æ®ÀÇ ¡´¹Ì¿Ï¼º ±³Çâ°î 1¾ÇÀ塵. ÃʹÝÀÇ ½ÅºñÇÏ°í, Àå¾öÇÑ ºÐÀ§±â°¡ ¾Ð±ÇÀÌ°í, ¼­¼­È÷ ÁøÇàÇÔ¿¡ µû¶ó ¾öû³­ Æø¹ß°ú Á¤ÀûÀÌ ¹ø°¥¾Æ ³ª¿Â´Ù. ¹«¾ùº¸´Ù Èï¹Ì·Î¿î °ÍÀº ¹ÙÀ̿ø°±º. Á¤¸» ¾Æ¸§´ä´Ù. ź³ëÀ̸¸ÀÌ ³¾ ¼ö Àִ Ưº°ÇÑ ¸Å·ÂÀÌ´Ù. ¶Ç 15ÀÎÄ¡Â¥¸® Àú¿ªÀÇ ±íÀ̳ª ÀÓÆÑÆ®´Â ¿ª½Ã ¹ß±ºÀÌ´Ù. ¿äÁò ÀÌ·± ´ë±¸°æ À¯´ÖÀ» ¾²´Â ȸ»ç°¡ µå¹® ¸¸Å­, ±×·± ¸é¿¡¼­ ¿ªÀ¸·Î ½Å¼±ÇÏ°Ô ´Ù°¡¿Â´Ù.

 

 

John Coltrane - Good Bait

Soultrane

 

À̾ Á¸ ÄÝÆ®·¹ÀÎÀÇ  ¡´Good Bait¡µ. ÇÁ¸®½ºÆ¼Áö ½ÃÀýÀÇ ½ß½ßÇÏ°í, È°±âÂù ÄÝÆ®·¹ÀÎÀ» ¸¸³¯ ¼ö ÀÖ´Ù. 100¸¶ÀÏÀÇ °­¼Ó±¸¸¦ ÆãÆã ´øÁö´Â Åõ¼ö¸¦ ¸¸³ª´Â ±âºÐÀÌ´Ù. ¿©±â¼­ ³î¶õ °ÍÀº ´õºí º£À̽ºÀÇ Á¸Àç. Á¤¸» °­·ÂÇÑ Àú¿ªÀÌ ¼ö¹ÝµÈ´Ù. ÇöÀå¿¡¼­ µè´Â ¿¡³ÊÁö ±× ÀÚü´Ù. ÀÌ·± À½¿ø¿¡ ÀÌ·± Àú¿ªÀÌ ÀÖ¾ú³ª ³î¶ö Á¤µµ. ¿ìµå º£À̽º¸¦ Á¦´ë·Î µéÀ¸·Á¸é °á±¹ 15ÀÎÄ¡ µå¶óÀ̹ö°¡ ¾Æ´Ï¸é ¾È µÇ´Â °ÍÀϱî?

 

 

Jimi Hendrix Experience - Little Wing

Axis: Bold As Love

 

¸¶Áö¸·À¸·Î Áö¹Ì Çîµå¸¯ÀÇ ¡´Little Wing¡µ. Á¤¹ÐÇÏ°í, °ø°ÝÀûÀÎ ÇÇÅ·À¸·Î Àü°³µÈ´Ù. ´É¼ö´É¶õÇÑ ¼Ø¾¾´Ù. ¶Ç ÀÌ·± ³ìÀ½ÀÌ °®°í ÀÖ´Â ¸¶¼ºÀ̳ª ¾î¾¾ÇÑ ´À³¦µµ Àß »ì¾ÆÀÖ´Ù. ÀÌÁ¦´Â ź³ëÀ̷εµ ·ÏÀ» Áñ±æ ¼ö ÀÖ°Ô µÈ °ÍÀÌ´Ù. ÀÌÀ¹°í µå·³ÀÌ °¡¼¼ÇÏ°í, ¹Ú·Â ³ÑÄ¡´Â »ç¿îµå°¡ Æø¹ßÇÑ´Ù. ÀϴܠŸ¾Ç±â¸¦ ¶§¸®´Â ´À³¦À̳ª ÀÜÇâÀÌ ¹«Ã´ ¼±¸íÇÏ´Ù. Áß°£¿¡ ³ª¿À´Â ±âŸ ¼Ö·Î´Â ³Ê¹« ´«ÀÌ ºÎ¼Å¼­ °¨°í ½ÍÀ» Á¤µµ. 60³â´ë ¸»ÀÇ °ÅÄ£ µíÇÑ ´À³¦ÀÌ ¿ÀÈ÷·Á ÇǸ¦ ²ú°Ô ¸¸µç´Ù.

 

¿¹Àü¿¡ Áß±¹ Ç×Àú¿ì¿¡ Àִ ģ±¸ÀÇ ¼ó¿¡¼­ ¿À¸®Áö³Î ¾Æµ§À» µé¾ú´Ù. ²Ï ¾Æ¸§´ä°í ÀλóÀûÀÎ À½À̾ú´Ù. º» ±â´Â ±×¸¦ »óȸÇÏ´Â Ä÷¸®Æ¼¿Í ÀáÀç·ÂÀ» °®°í ÀÖÁö¸¸, ´Ü ¾î´À Á¤µµÀÇ ¿¡ÀÌ¡ÀÌ ÇÊ¿äÇÏ´Ù. ±×³É »ç´Ù ³õ°í ¿ï¸®¸é ¿øÇÏ´Â À½ÀÌ ³ª¿À´Â Á¦Ç°Àº ¾Æ´Ï´Ù. Âü°í, ´Ùµë°í, ¾Æ²¸Áà¾ß ÇÑ´Ù. ±×·³ ¾î´À ¼ø°£ È® ¼Ò¸®°¡ ¿­¸°´Ù. Àû¾îµµ ź³ëÀ̸¦ ±¸ÀÔÇÑ´Ù°í Çϸé, º» ·¹°Å½Ã ½Ã¸®Áî Áß ¾Æ¹«°ÍÀ̳ª °í¸¥´Ù°í Çϸé, ±×·± ±â´Ù¸²µµ ¼ÒÁßÇÏ°Ô ¿©±æ ¼ö ÀÖ¾î¾ß ÇÏ´Â ¹ýÀÌ´Ù.

 

 

ÀÌ Á¾ÇÐ(Johnny Lee)

 


Tannoy Eaton Specifications

System

Frequency Response

40 Hz - 30 kHz ¡¾6 dB

Recommended Amplifier Power

20 - 200 W

Power handling (IEC)

100 W continuous, 400 W peak

Sensitivity

89 dB (1 W @ 1 m)

Impedance

8 ¥Ø

Components

Low Frequency Dual Concentric

1 x 10" (254 mm) Paper pulp cone with twin roll impregnated fabric surround.

52 mm (2") edge wound voice coil

 

High Frequency Dual Concentric

1 x 1.3" (33 mm) aluminium/magnesium alloy dome with edge-wound voice coil

Crossover

Frequency

1.2 kHz

 

Type

Bi-wired, hard wired passive, low loss 2nd order low pass, 1st order high pass

 

Adjustment

¡¾3 dB over 1 kHz to 30 kHz shelving,

2 dB to -6 dB per octave over 5 kHz to 30 kHz slope

Enclosure

Type

Twin distributed port

Volume

30 Liters (1.06 cu.ft)

Connectors

5 x 4 mm 24ct WBT binding posts

Dimensions (H x W x D)

538 x 376 x 250 mm (21.2 x 14.8 x 9.8")

Net weight

20 kg (44.1 lbs)

Construction

19 mm (3/4") Chipboard with plywood internal bracing - heavily damped

Finish

Walnut veneer and high acoustic transparency nylon grill cover

Accessory Pack (included)

 

Bi-wire bridge connectors

Prestige wood wax

12 mm coupling rubber pads 

 

 

Tannoy Cheviot Specifications

System

Frequency Response

38 Hz - 30 kHz ¡¾6 dB

Recommended Amplifier Power

20 - 250 W

Power handling (IEC)

125 W continuous, 500 W peak

Sensitivity

91 dB (1 W @ 1 m)

Impedance

8 ¥Ø

Components

Low Frequency Dual Concentric

1 x 12" (300 mm) Paper pulp cone with twin roll impregnated fabric surround.

52 mm (2") edge wound voice coil

 

High Frequency Dual Concentric

1 x 1.3" (33 mm) aluminium/magnesium alloy dome with edge-wound voice coil

Crossover

Frequency

1.2 kHz

 

Type

Bi-wired, hard wired passive, low loss 2nd order low pass, 1st order high pass

 

Adjustment

¡¾3 dB over 1 kHz to 30 kHz shelving,

2 dB to -6 dB per octave over 5 kHz to 30 kHz slope

Enclosure

Type

Twin distributed port

Volume

58 Liters (2.05 cu.ft)

Connectors

5 x 4 mm 24ct WBT binding posts

Dimensions (H x W x D)

860 x 448 x 260 mm (33.9 x 17.6 x 10.2")

Net weight

29 kg (63.8 lbs)

Construction

19 mm (3/4") Chipboard with plywood internal bracing - heavily damped

Finish

Walnut veneer and high acoustic transparency nylon grill cover

Accessory Pack (included)

 

Bi-wire bridge connectors

Prestige wood wax

Carpet protectors

Adjustable feet

 

 

Tannoy Arden Specifications

System

Frequency Response

35 Hz - 30 kHz ¡¾6 dB

Recommended Amplifier Power

20 - 300 W

Power handling (IEC)

150 W continuous, 600 W peak

Sensitivity

93 dB (1 W @ 1 m)

Impedance

8 ¥Ø

Components

Low Frequency Dual Concentric

1 x 15" (380 mm) Paper pulp cone with single roll rubber surround.

52 mm (2") edge wound voice coil

 

High Frequency Dual Concentric

1 x 1.3" (33 mm) aluminium/magnesium alloy dome with edge-wound voice coil

Crossover

Frequency

1.1 kHz

 

Type

Bi-wired, hard wired passive, low loss 2nd order low pass, 1st order high pass

 

Adjustment

¡¾3 dB over 1 kHz to 30 kHz shelving,

2 dB to -6 dB per octave over 5 kHz to 30 kHz slope

Enclosure

Type

Triple distributed port

Volume

127 Liters (4.48 cu.ft)

Connectors

5 x 4 mm 24ct WBT binding posts

Dimensions (H x W x D)

910 x 602 x 362 mm (35.8 x 23.7 x 14.3")

Net weight

41 kg (90.2 lbs)

Construction

19 mm (3/4") Chipboard with plywood internal bracing - heavily damped

Finish

Walnut veneer and high acoustic transparency nylon grill cover

Accessory Pack (included)

 

Bi-wire bridge connectors

Prestige wood wax

Carpet protectors

Adjustable feet

 


Tannoy Legacy Series

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02-582-9847