¼û¾îÀÖ´Â ²Ü Á¶ÇÕ ½Ã½ºÅÛ
McIntosh C22, MC1502 & Paradigm Persona 5F


Æò¼Ò¿Í´Â ´Ù¸£°Ô ÇϳªÀÇ ±â±â¸¦ ½ÉÃþÀûÀ¸·Î ¸®ºäÇÏÁö ¾Ê°í ÇϳªÀÇ ½Ã½ºÅÛÀ» ¼Ò°³ÇÏ´Â ½Ã°£À» °¡Á®º»´Ù. °¢°¢ÀÇ ±â±â°¡ »ó´ëÀûÀ¸·Î ´ú ¾Ë·ÁÁ®¼­ ¼û¾î ÀÖ´Â ²Ü Á¶ÇÕÀ̶ó°í ¸»ÇÒ ¼ö ÀÖ´Â ½Ã½ºÅÛÀ» ¼Ò°³ÇÑ´Ù.

½ºÇÇÄ¿ºÎÅÍ ¸»ÇÏÀÚ¸é ParadigmÀÇ Persona 5F ¸ðµ¨ÀÌ°í ÆÄ¿ö¾ÚÇÁ´Â McIntosh Á¦Ç°ÀÎ MC1502 ½ºÅ×·¹¿À ÆÄ¿ö¾ÚÇÁ´Ù. ±×¸®°í ÇÁ¸®¾ÚÇÁ´Â McIntosh C22¸¦ »ç¿ëÇß°í ¼Ò½º ±â±â·Î´Â Linn Selekt DSM ¸ðµ¨À» »ç¿ëÇß´Ù. ÀÌ ½Ã½ºÅÛ¿¡¼­ ½ºÇÇÄ¿ºÎÅÍ Çϳª¾¿ Â÷·Ê´ë·Î ¼Ò°³Çϵµ·Ï ÇÏ°Ú´Ù.


Paradigm Persona 5F

Æ丣¼Ò³ª(Persona) ½Ã¸®Áî

Æз¯´ÙÀÓÀÇ Æ丣¼Ò³ª ¶óÀξ÷À» »ìÆ캸¸é ÃÖ»óÀ§ ¸ðµ¨·Î 9H°¡ ÀÖ°í ±×´ÙÀ½ ÁØ Ç÷¡±×½ÊÀ¸·Î 7F¿Í À̹ø ½Ã½ºÅÛÀÇ ÁÖÀΰø 5F°ú ±× ¹ØÀ¸·Î 3F ¸ðµ¨ÀÌ ÀÖ´Ù. 5F´Â Æ丣¼Ò³ª ¶óÀξ÷ÀÇ Áß°£±Þ¿¡ ÇØ´çÇÏ´Â ¸ðµ¨Àε¥ »ó±Þ ¸ðµ¨µéÀº °¡°Ýµµ »ó´çÈ÷ À§·Î ¿Ã¶ó°¡°í °¡Á¤¿¡¼­ ¿î¿ëÇϱ⿣ µ¢Ä¡°¡ Å©´Ù°í ´À³¢´Â ºÐµéÀÌ Á¾Á¾ ÀÖ¾ú´ø °ÍÀ¸·Î ±â¾ïÇÑ´Ù.

±×·¡¼­ ¾îÂî º¸¸é À̹ø¿¡ ¼Ò°³ÇÏ´Â 5F ½ºÇÇÄ¿°¡ °¡Á¤¿¡¼­ ¿î¿ëÇϱ⿡ »ó´çÈ÷ ÀûÇÕÇÑ »çÀÌÁî¶ó°í »ý°¢ÀÌ µÈ´Ù. °¡°Ý´ëµµ Ç÷¡±×½ÊÀ̳ª ÁØ Ç÷¡±×½Ê ¸ðµ¨ ´ëºñ Àû´çÇÑ ¸ðµ¨·Î »ý°¢µÈ´Ù. °³º° ¸®ºä°¡ ¾Æ´Ï±â ¶§¹®¿¡ °£´ÜÇÏ°Ô ÀÌ Á¦Ç°À» Ư¡ÀûÀ¸·Î ¿ä¾àÇؼ­ ¼³¸íÇÏ°Ú´Ù.

À¯´Ö ±¸¼ºÀ» º¸¸é »ó±Þ±â¿Í µ¿ÀÏÇÑ Áß°í¿ª À¯´ÖÀ» »ç¿ëÇÑ °ÍÀ» È®ÀÎÇÒ ¼ö ÀÖ´Ù. ±×·¡¼­ »ó±Þ±â¿Í Áß°í¿ª Ư¼ºÀº µ¿ÀÏÇÏ´Ù°í º¸¸é µÈ´Ù. ´Ù¸¸ ¿ìÆÛÀÇ °³¼ö³ª ÀÎŬ·ÎÀúÀÇ Ã¼Àû. ÀÌ·± °ÍµéÀÌ Â÷ÀÌ°¡ ³ª°í Å©·Î½º¿À¹öµµ 3¿þÀÌ ±¸¼ºÀ¸·Î »ç¿ëµÆ´Ù.

±¹³» ¼ÒºñÀÚ ¼±È£ ¼ºÇâ»ó Ç÷¡±×½Ê Á¦Ç°¿¡ ´«±æÀÌ ¸¹ÀÌ °¡´Â °Ç »ç½ÇÀÌÁö¸¸ ½Ãû °ø°£À» »ý°¢ÇØ º¼ ¶§ 9H³ª 7F Á¦Ç°Àº °¡Á¤¿¡¼­ ¾²±â¿¡ »ó´çÈ÷ Å« °æ¿ìµµ Á¾Á¾ ¹ß»ýÇϱ⠶§¹®¿¡ 5F Á¦Ç°ÀÌ ÀϹÝÀûÀÎ ½Ãû ȯ°æÀÇ ³ÐÀÌ¿Í °ø°£»ó¿¡¼­ ¾ÆÁÖ ÀûÇÕÇÑ ¸ðµ¨À̶ó°í ¸»ÇÏ°Ú´Ù.

±×¸®°í Áß°í¿ª Ư¼ºÀÌ »ó±Þ±â¿Í µ¿ÀÏÇÏ´Ù°í Çߴµ¥ Áß°í¿ª Ư¼ºÀ» Áß½ÃÇÏ´Â ºÐµéÀº ÀÌ Á¦Ç°ÀÌ ¿ÀÈ÷·Á »ó±Þ±â ´ëºñ ¹ë·±½º°¡ ÁÁ´Ù°í ´À³¥ ¼ö ÀÖ´Â ºÎºÐµµ ÀÖ´Ù. ÇÏÁö¸¸ ³ÐÀº °ø°£¿¡¼­ Å« Àú¿ª ½ºÄÉÀÏÀ» ¿øÇÏ´Â ºÐµéÀº »ó±Þ±â°¡ Á¤´äÀ̱ä ÇÏ´Ù.

ÃÖ»óÀ§ Æ丣¼Ò³ª ¶óÀξ÷¿¡ Àû¿ëµÈ ±â¼ú ¸ðµÎ µ¿ÀÏÇÏ°Ô Àû¿ëÇؼ­ È­·ÁÇÑ ¹®¾çÀ» ÀÚ¶ûÇÏ´Â PPA ·»Áî°¡ µ¿ÀÏÇÏ°Ô Àû¿ëµÇ¾ú°í ART ¼­¶ó¿îµå¶ó°í Çؼ­ ¿ìÆÛ À¯´ÖÀÇ ¼­¶ó¿îµå ÂÊ¿¡ ¿Ã·Ïº¼·ÏÇÏ°Ô Àû¿ëµÈ ¼­¶ó¿îµåµµ µ¿ÀÏÇÏ°Ô Àû¿ëÀÌ µÇ¾ú´Ù. ±×¸®°í À¯´ÖÀ» °íÁ¤Çϰųª ǪÅÍ ÂÊ¿¡ Àû¿ëµÈ ¼ï ¸¶¿îÆ® ¾ÆÀַ̼¹ÀÌ¼Ç ½Ã½ºÅÛ ¸ðµÎ »ó±Þ±â¿Í µ¿ÀÏÇÏ°Ô Àû¿ëµÆ´Ù´Â Á¡ ¸»Çϸç ÇÁ¸®¾ÚÇÁ ¼Ò°³·Î ³Ñ¾î°¡°Ú´Ù.


McIntosh C22

¸ÅŲÅä½Ã C22 Mk.V ÇÁ¸®¾ÚÇÁ°í 5¼¼´ë Á¦Ç°ÀÌ´Ù. ÀÌ Á¦Ç°Àº ¸ÅŲÅä½Ã 70ÁÖ³âÀ» ±â³äÇÏ´Â C70À̶ó´Â ±â³ä ¸ðµ¨ÀÇ ÈÄ¼Ó Á¦Ç°À̶ó°í ¸»ÇÒ ¼ö ÀÖÀ¸¸ç ¿Ü°ü»óÀ¸·Î »ó´çÈ÷ °íÀüÀûÀÌ°í ¸Ú½º·¯¿î º¹°ídzÀÇ µðÀÚÀÎÀ» ÇÏ°í ÀÖ´Ù.

Àü¸é¿¡ ¾Ë·ç¹Ì´½ ºê·¯½Ãµå ó¸®µÈ ÆгÎÀ̶ó´ø°¡ ¸ÅŲÅä½Ã ³ì»öÀÇ Çʱâü ·Î°í¿Í °°Àº ¸ÅŲÅä½Ã¸¸ÀÇ ¸Ú½º·¯¿òÀÌ Àß »ì¾Æ ÀÖ´Â ¸ðµ¨ÀÌ°í º¼·ý ³ëºê¶óµç°¡ ¼¿·ºÅÍÀÇ ¸ð¾çÀÌ »ó´çÈ÷ Ŭ·¡½ÄÇÏ°í º¹°í¸¦ ÁöÇâÇÏ´Â µðÀÚÀÎ ¾ÆÀ̵§Æ¼Æ¼°¡ »ó´çÈ÷ Àß Àû¿ëµÇ¾î ÀÖ´Ù.

»óÆÇÀ» º¸¸é Åõ¸í ±Û·¡½º¸¦ ÅëÇØ Àû¿ëµÈ 6°³ÀÇ Áø°ø°üÀÌ ³ì»ö È÷ÅÍ Á¶¸í°ú ¾î¿ì·¯Á® ¾Æ¸§´ä°Ô ºû³ª´Â ¸ð½ÀÀ» È®ÀÎÇÒ ¼ö À־ ¹Ù¶óº¸´Â Áñ°Å¿òÀÌ ÀÖ´Â Á¦Ç°ÀÌÁö ¾Ê³ª ½Í´Ù. ÀÌ Á¦Ç°Àº ¸ÅŲÅä½Ã¸¦ ´ëÇ¥ÇÏ´Â ºí·ç¾ÆÀÌÁî. Ǫ¸¥ ´« ·¹º§ ¹ÌÅÍ°¡ ¾ø´Ù´Â °ÍÀ» Á¦¿ÜÇÏ°í ¾Æ½¬¿òÀÌ ¾ø´Â ¸ðµ¨ÀÌ´Ù.

¸ÅŲÅä½Ã ºê·£µå·Î ºÐ¸®Çü ½Ã½ºÅÛÀ» ±¸¼ºÇÏ·Á¸é °¡°Ý´ë°¡ ¸¸¸¸Ä¡ ¾ÊÀºµ¥ ÀÌ Á¦Ç°Àº °¡°Ý´ëµµ Àû´çÇؼ­ ¸ÅŲÅä½Ã ºÐ¸®ÇüÀ» ±¸¼ºÇÑ´Ù¸é °¡Àå ¸ÕÀú ì°Ü ºÁ¾ß µÉ, ÁÖ¸ñÇØ¾ß µÉ Á¦Ç°À̶ó°í »ý°¢ÀÌ µç´Ù.


McIntosh MC1502

¿ÞÂʺÎÅÍ ¸ÅŲÅä½Ã MC2152, MC275 ÆÄ¿ö¾ÚÇÁ

À̾ ÆÄ¿ö¾ÚÇÁ´Â MC1502 ¸ðµ¨Àε¥ ÀÌ Á¦Ç°µµ ¸ÅŲÅä½Ã 70Áֳ⠱â³äÀÇ ÈļÓÇü Á¦Ç°À̶ó°í ¸»ÇÒ ¼ö ÀÖ´Ù. MC2152¶ó´Â ¸ðµ¨ÀÌ ÀÖ¾ú´Âµ¥ ÀÌ Á¦Ç°ÀÇ Á÷¼Ó ÈÄ°è ¸ðµ¨ÀÌ´Ù. ÇÏÁö¸¸ MC2152·Î ¼³¸íÇÏ´Â °Íº¸´Ü MC275¶ó´Â Àα⠸ðµ¨ÀÌ Àִµ¥ ÀÌ ¸ðµ¨·Î ¼³¸íÇÏ´Â °Ô ÈξÀ ´õ ÀÌÇØ°¡ ºü¸¦ µí½Í´Ù.

MC275°¡ ½ºÅ×·¹¿À Ãâ·Â ¸ðµå¿¡¼­ ä³Î´ç 75WÀÇ ¼ÒÃâ·Â ¾ÚÇÁ¿´´Âµ¥ MC1502´Â Á¤È®È÷ 2¹è·Î ä³Î´ç 150WÀÇ Ãâ·ÂÀ» °®´Â Á¦Ç°ÀÌ´Ù. ±×·¡¼­ MC275°¡ »ó´çÈ÷ ¿¹»Ú°í »óÇ°¼ºÀÌ ÁÁÀº Á¦Ç°À̱ä ÇÏÁö¸¸ ¾à°£ÀÇ ½ºÇÇÄ¿ ¸ÅĪÀ̶óµç°¡ Ãâ·Â¿¡ ¾Æ½¬¿òÀ» È£¼ÒÇÏ´Â ºÐµéÀÌ Á¾Á¾ ÀÖ¾ú´ø °ÍÀ¸·Î ±â¾ïµÈ´Ù.

±×·± ºÐµé¿¡°Ô °¡Àå ÀûÇÕÇÑ ´ë¾ÈÀ» Á¦½ÃÇÏ´Â Á¦Ç°ÀÌ MC1502¶ó°í ¸»ÇÒ ¼ö ÀÖ´Ù. MC275ÀÇ 2¹è Ãâ·Â Áõ°­ ¹öÀüÀÌ´Ù. ÀÌ·¸°Ô¸¸ ¼³¸íÇϱ⿡´Â ºÎÁ·ÇØ Á¶±Ý ´õ ¼³¸íÇÏÀÚ¸é MC275 °°Àº °æ¿ì ºê¸´Áö ¸ðµå·Î »ç¿ëÇÏ°Ô µÇ¸é ¸ð³ë ºí·ÏÀ¸·Î µ¿ÀÛÇؼ­ Ãâ·ÂÀÌ 2¹è°¡ µÇ¾î ä³Î´ç 150W Ãâ·ÂÀ» ÇÒ ¼ö ÀÖ´Ù.

ÇÏÁö¸¸ SNRÀÌ MC1502 º¸´Ù 7dB ¶³¾îÁø´Ù. ±×·¡¼­ MC1502°¡ SNRÀÌ 7dB ´õ ¿ì¼öÇÏ°í Ãâ·ÂÀÌ Áõ°­µÈ ¸¸Å­ ³Ã°¢ÀÇ È¿À²À» ¸¹ÀÌ °í¹ÎÇß´Ù. ±×·¡¼­ ¿¡¾îÆÄÀÌÇÁ ³Ã°¢ ¹æ½ÄÀ» »ç¿ëÇß°í Áø°ø°üÀÇ ¼ö¸íÀ̶óµç°¡ ³»ºÎ ¼ÒÀÚÀÇ ¿­È­¶óµç°¡ ȸ·Î ±âÆÇÀÇ ¿­È­¸¦ ¹æÁöÇÒ ¼ö ÀÖµµ·Ï ¿­ ¹èÃ⠽ýºÅÛÀ» Àß µðÀÚÀÎÇؼ­ ±ä ¼ö¸íÀ» ¿¹»óÇØ º¼ ¼ö ÀÖ´Ù.

16°³ÀÇ Áø°ø°üÀ» »ç¿ëÇß°í Ãâ·Â°üÀ¸·Î KT88 8°³¸¦ »ç¿ëÇß´Ù. ¹ë·±½º ¹× ÀÔ·Â ¾ÚÇÁ¿ë 12AX7A 4°³¿Í Àü¾Ð ¹× µå¶óÀ̹ö¿ë 12AT7 4°³¸¦ »ç¿ëÇؼ­ ÃÑ 16°³ÀÇ Áø°ø°üÀ» »ç¿ëÇß´Ù. Ãß°¡·Î Áø°ø°üÀ» »ç¿ëÇÑ Á¦Ç° Áß¿¡¼­ º¸È£ ȸ·Î°¡ ºÎ½ÇÇÏ°Ô µÇ¾î ÀÖ´Â Á¦Ç°µéµµ Àִµ¥ ÀÌ Á¦Ç°Àº º¸È£ ȸ·Îµµ »ó´çÈ÷ Àß ¸¶·ÃµÇ¾î ÀÖ´Ù.

¼¾Æ®¸® ¸ð´ÏÅÍ º¸È£ ȸ·Î¶ó°í ¸í¸íµÈ ȸ·Î°¡ Àִµ¥ Ãâ·Â Àü·ùÀÇ ÀÌ»ó Áõ»óÀ̳ª ÇÑ°èÁ¡ µµ´Þ ½Ã Áï°¢ÀûÀ¸·Î µ¿ÀÛÀ» Â÷´ÜÇϵµ·Ï ¼³°èµÇ¾ú´Ù°í ÇÑ´Ù. ±×·¡¼­ ¾È½ÉÇÏ°í »ç¿ëÇÒ ¼ö ÀÖµµ·Ï ¼³°èµÇ¾ú°í Á¤¸®Çؼ­ ¸»ÇÏÀÚ¸é Çϱޱ⠴ëºñ Ãâ·Â¿¡ ¾Æ½¬¿ü´ø ºÐµéÀº ÀÌ Á¦Ç°ÀÌ »ó´çÈ÷ Á¦°ÝÀ̶ó°í ¸»ÇÒ ¼ö ÀÖ°Ú´Ù.

Çϱޱ⸦ ¸ð³ë ºí·ÏÀ¸·Î »ç¿ëÇÏ´Â °Í ´ëºñ SNRµµ ÁÁ¾ÆÁö°í ½ºÇÇÄ¿ ¸ÅĪÀ̶óµç°¡ Ãâ·Â Á¦¾î·Â, Àå¾Ç·Â µî¿¡¼­ ÈξÀ ´õ ¿ì¼öÇÑ Æ¯¼ºÀ» º¸À̱⠶§¹®¿¡ ¹ü¿ëÀûÀ¸·Î ½Ã½ºÅÛÀ» ±¸¼ºÇÒ ¼ö ÀÖ´Â ÀåÁ¡ÀÌ º¸ÀδÙ.


Linn Selekt DSM

À̾ ¼Ò½º ±â±â´Â Linn Selekt DSMÀÌ´Ù. Ä«Å»¸®½ºÆ® ¾ÆÅ°ÅØó°¡ Àû¿ëµÈ ÃֽŠ³×Æ®¿öÅ© Ç÷¹À̾î Áß±ÞÇü ¸ðµ¨ÀÌ°í ¸°Àº ¼Ò½º ±â±âºÎÅÍ ½ºÇÇÄ¿ ¾ÚÇÁ±îÁö ¹ß¸ÅÇÏ´Â ÅäÅ» ºê·£µåÁö¸¸ °³ÀÎÀûÀ¸·Î ¼Ò½º ±â±â¸¦ Àß ¸¸µå´Â ¹é¹Ì¶ó°í »ý°¢ÇÑ´Ù.

±¹³»¿¡¼­µµ ¼Ò½º ±â±â°¡ °¡Àå ÀαⰡ ¸¹¾Ò´ø °É·Î ±â¾ïÇÏ°í ÀÖ°í ¸°ÀÇ ³×Æ®¿öÅ© Ç÷¹À̾î´Â ¿ø·¡ ÀÌ·± µðÀÚÀÎÀÌ ¾Æ´Ï¾ú´Ù. »ó´Ü ´ÙÀ̾óÀÌ »ó´çÈ÷ ¹Ý¦ÀÌ´Â ¹«½¼ º¸¼®Ã³·³ ºû³ª°í ¾Õ¿¡ ÀÖ´Â Æгεµ 622L LED¸¦ »ç¿ëÇؼ­ ±ò²ûÇÏ°Ô Ç¥½ÃµÇ¸ç ¸ðµâÈ­µÈ µðÀÚÀÎÀ» äÅÃÇß´Ù.

±×·¡¼­ ¾÷±×·¹À̵嵵 °¡´ÉÇÏ°í ÀϺΠ±â´ÉÀ» »ý·«ÇÏ°í ÁÖ¹®ÇÒ ¼ö ÀÖ´Â ÀåÁ¡ÀÌ ÀÖ´Ù. ±×¸®°í ÆÄ¿ö ÄÉÀ̺íÀÌ ¿¾³¯ Klimax Á¦Ç° °°Àº °æ¿ì Á¦ÇÑµÈ °ø°£À¸·Î ¾Æ¹« ÆÄ¿ö ÄÉÀ̺íÀ» ¸ø ½è´ø ±â¾ïÀÌ Àִµ¥ µðÀÚÀÎÀÇ º¯È­·Î ÆÄ¿ö ÄÉÀ̺íÀ» Àû¿ëÇصµ Å« ¹®Á¦°¡ ¾ø´Â Á¦Ç°ÀÌ´Ù.

¸°Àº ³×Æ®¿öÅ© Ç÷¹À̾îÀÇ ¼±±¸ÀÚ´ä°Ô Kazoo¶ó´Â ÈǸ¢ÇÑ ¾ÛÀ» Á¦°øÇÏ°í ÀÖ´Ù. ÀÌ ¾ÛÀ¸·Î Æí¸®ÇÏ°Ô ¾Ù¹ü ¾ÆÆ®¸¦ °¨»óÇÏ¸ç ¼±°îÇÒ ¼ö ÀÖ´Â ³×Æ®¿öÅ© Ç÷¹ÀÌ°¡ °¡´ÉÇÏ°í ÀÚ»çÀÇ Ä«ÁÖ ¼Ö·ç¼Ç»Ó¸¸ ¾Æ´Ï¶ó ·éÀ» Áö¿øÇÑ´Ù.

¾î´À Á¤µµ ÀÌ ½Ã½ºÅÛ ±¸¼º ¼Ò°³°¡ µÆ´ÂÁö ¸ð¸£°Ú´Ù. °³ÀÎÀûÀ¸·Î °¢°¢ÀÇ Á¦Ç°µéÀÌ ÇϳªÇϳª ¶â¾îº¸¸é »ó´çÈ÷ ÁÁÀº Á¦Ç°µéÀε¥, Ç÷¡±×½ÊÀÌ ¾Æ´Ï°Å³ª Àα⠸𵨠Áß°£¿¡ ³¢¾î ÁÖ¸ñ¹ÞÁö ¸øÇÑ ¾Æ½¬¿î Á¦Ç°µé·Î ±¸¼ºµÈ ½Ã½ºÅÛÀÌ´Ù. ÇÏÁö¸¸ »ó´çÈ÷ ¸Å·ÂÀûÀÎ ¸ðµ¨·Î ±¸¼ºµÇ¾î ÀÖ´Â ½Ã½ºÅÛÀ̶ó´Â Á¡ °­Á¶ÇÏ°í ½Í°í ½ÇÁ¦·Î °îÀ» ¿¹¸¦ µé¾î°¡¸é¼­ ½ÃûÆò ÁøÇàÇϵµ·Ï ÇÏ°Ú´Ù.


½ÃûÆò

ÀÌ ½Ã½ºÅÛÀ» µé¾îº» ¼Ò°¨À» ¿ä¾àÇؼ­ ¸»ÇÏÀÚ¸é µÎ·çµÎ·ç ¸¸Á·ÇÒ ¸¸ÇÑ ¿ä¼Ò°¡ ¸¹Àº, »ó´çÈ÷ ¾ÈÁ¤ÀûÀÌ°í ¿Ï¼ºµµ ³ôÀº Àç»ýÀ½À» µéÀ» ¼ö ÀÖ¾ú´Ù. Ç÷¡±×½Ê ¸ðµ¨À̳ª Àα⠸ðµ¨Àº ¾Æ´ÏÁö¸¸ »ó´çÈ÷ ¸Å·ÂÀûÀÎ ¸ðµ¨À̶ó°í ¼Ò°³Çߴµ¥ °¡°ÝÀûÀÎ Ãø¸é¿¡¼­µµ ±»ÀÌ Ç÷¡±×½ÊÀÌ ¾Æ´Ï´õ¶óµµ ¿Ï¼ºµµ ³ôÀº Àç»ýÀ½À» ÀÌ Á¶ÇÕ¿¡¼­ ¼Õ½±°Ô µéÀ» ¼ö ÀÖ¾ú´Ù.

ÇÏÀÌÆÄÀÌŬ·´ ¸ÞÀÎ ½ÃûȦ °ø°£ÀÌ »ó´çÈ÷ ³ÐÀº ÆíÀε¥ ÀÌ °ø°£ÀÇ Àú¿ª ¹ÝÀÀÀ» ¸¸Á·½º·´°Ô ¾ò¾î³»·Á¸é ÀÌ ½ºÇÇÄ¿ÇÑÅ×´Â ¾î·Á¿î ÀÏÀÏ ¼öµµ ÀÖ´Ù. ÀϹÝÀûÀÎ °¡Á¤¿¡¼­´Â Â÷°í ³ÑÄ£´Ù°í Çß°í ¿©±â¼± Æз¯´ÙÀÓ 5F°¡ ºÎ´ãÀÏ ¼ö ÀÖÁö¸¸ ³ÐÀº °ø°£¿¡¼­µµ »ó´çÈ÷ Àß ÇØÁÖ¾ú´Ù. ±×·¡¼­ Àú¿ª ÀÀ´ä Ư¼ºÀÌ »ó´çÈ÷ ºü¸£°í ±â¹ÎÇÏ°Ô ¿òÁ÷¿´°í ¾ç°¨À̶óµç°¡ ±Ô¸ðÀÇ Ç¥Çöµµ ¸ðÀÚ¶÷ ¾øÀÌ ÁÁÀº Ư¼ºÀ» µéÀ» ¼ö ÀÖ¾ú´Ù.

±×»Ó¸¸ ¾Æ´Ï¶ó »ó±Þ±â¿Í µ¿ÀÏÇÑ Áß°í¿ª À¯´ÖÀ» »ç¿ëÇߴµ¥ MC1502°¡ ½ºÇÇÄ¿ Àå¾ÇÀ» ÀßÇؼ­ ±×·±Áö Áß°í¿ª Ç¥Çöµµ »ó´çÈ÷ ¼ö·ÁÇÏ°í ÇØ»ó·ÂÀÌ µ¸º¸ÀÌ°í ¹èÀ½ÀÇ Ç¥ÇöÀ̶óµç°¡ ÀÜÇâÀ½ Ç¥Çöµµ ¿ì¼öÇÏ°Ô Ç¥ÇöµÆ´Ù. ¸ÅŲÅä½Ã·Î ±¸¼ºµÈ ºÐ¸®Çü Á¦Ç°Àε¥ ÀÌ·± ÀåÁ¡ÀÌ »ì¾ÆÀÖ´Â ½Ã½ºÅÛÀ̾ú´Ù.

Adele - Easy On Me
30

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Maria João Pires, Daniel Harding
Piano Concerto No.4 In G Op.58 - II. Andante Con Moto
Beethoven: Piano Concertos 3 & 4

µÎ ¹ø°·Î´Â Ŭ·¡½Ä ´ëÆí¼º°îÀ» ¼±°îÇØ ºÃ´Âµ¥ Maria João Pires°¡ Daniel HardingÀÇ ÁöÈÖ·Î º£Å亥 ÇǾƳë ÇùÁÖ°î 4¹ø 2¾ÇÀåÀ» µé¾î ºÃ´Ù. ½Ã¿¬È¸¶óµç°¡ ¸®ºä ÁøÇàÇÒ ¶§ ¸¹ÀÌ »ç¿ëÇß´ø À½¿øÀÌ°í Àü¹ÝÀûÀÎ Àç»ýÀ½ÀÌ »ó´çÈ÷ °í±Þ½º·´°í Ç°°Ý ³ôÀº »ç¿îµå¸¦ µé·ÁÁá´Ù. ±×»Ó¸¸ ¾Æ´Ï¶ó Áú°¨ Ç¥ÇöÀ̶óµç°¡ ½ºÄÉÀÏÀÇ Ç¥ÇöÀÌ ¸·Èû¾øÀÌ Àß ÇØÁá°í ºÐ¸®Çü ½Ã½ºÅÛ´ä°Ô Àû¸·ÇÑ ±×·± Ç¥Çöµµ »ó´çÈ÷ ¼öÁرÞÀ̾ú´Ù.

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Cannonball Adderley - Autumn Leaves
Somethin' Else

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McIntosh C22 Specifications​
Electronic Specifications
Number of Channels 2
Total Harmonic Distortion 0.08%
Frequency Response +0, -0.5dB from 20Hz to 20kHz
+0, -3dB from 15Hz to 100kHz
Maximum Volts Out (Balanced / Unbalanced) 16V RMS / 8V RMS
Sensitivity High Level (Balanced / Unbalanced) 900mV / 450mV
Sensitivity Phono (Moving Coil) 0.45mV
Sensitivity Phono (Moving Magnet) 4.5mV
Signal To Noise Ratio (High Level) 100dB
Signal To Noise Ratio (Moving Coil) 75dB
Signal To Noise Ratio (Moving Magnet) 75dB
Voltage Gain (High Level) 15dB
Voltage Gain (Moving Coil) 60dB
Voltage Gain (Moving Magnet) 40dB
Input Impedance (Balanced / Unbalanced) 44K ohm, 22K ohm
Connectivity
Balanced Input 2
Unbalanced Input 3
Phono Input Moving Coil 1 (adjustable)
Phono Input Moving Magnet 1 (adjustable)
Upgradeable Digital Audio Module No
Digital Coaxial Input 0
Digital Optical Input 0
Digital MCT (DIN) Input 0
Digital USB Input 0
HDMI (ARC) Input 0
Digital AES/EBU Input 0
Balanced Fixed Output 0
Balanced Variable Output 2
Unbalanced Fixed Output 0
Unbalanced Variable Output 2
Headphone Output 1/4" High Drive with Headphone Crossfeed Director (HXD®)
Input Level Match No
Home Theater PassThru No
Unbalanced Analog Connector Type Premium gold-plated solid brass
Service Port 0
Control
Tone Controls Bass and Treble
Tone Bypass and Input Assign Tone Bypass: Yes
Input Assign: No
RS232 Control Input No
Power Control Output 2 Main, 2 Switched
Rear Panel Data Port 5
Rear Panel IR Sensor Input Yes
General Specifications
Multi-Chassis or Single Single, two layer
Output Meters No
Vacuum Tube or Solid State Vacuum Tube: (5) 12AX7A and (1) 12AT7
Power Consumption (On) 50 Watts
Weights & Dimensions
Dimensions (W x H x D) 17.5" (44.45cm) x 6" (15.24cm) x 18" (45.72cm)
Weight 25 lbs (11.3kg)
Shipping Weight 41.4 lbs (18.8kg)
McIntosh MC1502 Specifications
Electronic Specifications
Power Output per Channel 150W @ 2, 4 or 8 Ohms
Number of Channels 2
Total Harmonic Distortion 0.5% maximum harmonic distortion at any power level from 250 milliwatts to rated power, 20Hz to 20,000Hz
<0.20% at 1W, 20Hz to 20,000Hz
S/N below rated output 112dB
Dynamic Headroom 1.2dB
Damping Factor >18
Rated Power Band 20Hz to 20kHz
Frequency Response +0, -0.25dB from 20Hz to 20,000Hz
+0, -3dB from 10Hz to 70,000Hz
Control
Remote Power Control Yes
Multi-Channel DB25 Cable N/A
Connectivity
Speaker Binding Post Type Patented Solid Cinch™ Speaker Binding Posts
General Specification
Circuit Configuration Unity Coupled
Circuit Design Vacuum Tube
Mono Bridge No
Mono Parallel No
Output Type Unity Coupled Output Transformer
Meters No
Meter Light Switch N/A
Balanced Input 2
Front Panel N/A
Illumination Small Signal Tubes: Green, Natural
Chassis Style Polished Stainless Steel
Weights & Dimensions
Dimensions (W x H x D) 18-1/4" (46.4cm) x 10-1/4" (26cm) (including feet) x 21" (53.3cm)
Weight 118 lbs (53.5 kg)
Shipping Weight 135 lbs (61.2 kg)
Paradigm Persona 5F Specifications
Design 5-driver, 3 way floorstanding bass reflex
Crossover 3rd order electro-acoustic at 2.4 kHz (tweeter/mid), 3rd order @ 450 Hz
Frequency Response ON-AXIS +/- 2dB from 45Hz - 45kHz
High Frequency Driver 1" (25mm) Truextent® Beryllium dome, ferro-fluid damped / cooled, Perforated Phase-Aligning (PPA™) Tweeter Lens, Finite Element Analysis (FEA) optimized pole piece assembly
Midrange Frequency Driver 7" (178mm) Truextent® Beryllium driver with Inverse Differential Drive Neodymium motor, Perforated Phase-Aligning (PPA™) Lens, SHOCK-MOUNT™ Isolation Mounting System, 1.5" high-temp voice coil
Low Frequency Extension 23Hz
Low Frequency Driver Three 7" (178 mm) high-excursion X-PAL™ drivers, overmolded Active Ridge Technology (ART™) surrounds, SHOCK-MOUNT™ Isolation Mounting System, 1.5" high-temp tandem voice coil
Sensitivity Room / Anechoic 93 dB / 90 dB
Frequency Response 30° OFF-AXIS +/- 2dB from 45Hz - 20kHz
Suitable Amplifier Power Range 15 - 500 watts
Maximum Input Power 300 Watts
Impedance Compatible with 8 ohms
Dimensions HXWXD 46.5" × 9.5" × 16.875" (118.5cm × 24.1cm × 42.7cm)
Weight 95 lbs. (43 kg)
Finishes High Gloss: Vanta Black, Harmony White Metallic Gloss: Aria Blue, Sonic Silver
McIntosh C22, MC1502 & Paradigm Persona 5F
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