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Mark Levinson No.5101 & No.5206 & No.5302

Mark Levinson No.5101 & No.5206 & No.5302


Mark Levinson(¸¶Å© ·¹ºó½¼)ÀÇ 5000¹ø´ë ½Ã¸®Áî. ¸¶Å© ·¹ºó½¼ÀÇ ÃÖÇÏÀ§ ¶óÀξ÷ÀÎ 5000¹ø´ë ½Ã¸®Áî·Î ±¸¼ºµÈ ½Ã½ºÅÛÀ¸·Î ¾î¶² Ư¡À» °¡Áö°í ÀÖ°í ¾î¶² À½ÁúÀ» µé·ÁÁÖ¾ú´ÂÁö »ô»ôÀÌ ÆÄÇìÃÄ ºÃ´Ù.

ÃÖÇÏÀ§ ¶óÀξ÷À̶ó°í ¾ê±âÇߴµ¥ ¸¶Å© ·¹ºó½¼ÀÌ ¼ÓÇÑ Harman(Çϸ¸)À̶ó´Â ȸ»ç¸¦ »ï¼ºÀÌ ÀμöÇÑÁö ¼ö³âÀÌ Áö³­ »óÅ´Ù. »ï¼ºÀÇ ÀÔ±èÀÌ ÀÛ¿ëÇß´ÂÁö´Â ¸ð¸£°ÚÁö¸¸ ¸¶Å© ·¹ºó½¼ÀÌ ÀÌÀü¿¡´Â µÎ ÀÚ¸´¼ö Çü¹øÀ̳ª ¼¼ ÀÚ¸´¼ö Çü¹øÀÇ Á¦Ç°µé¸¸ ¹ß¸Å¸¦ ÇÏ¸ç »ó´çÈ÷ °í°¡ ¶óÀξ÷ Á¦Ç°À̾ú´Âµ¥ Àμö ÈÄ µîÀåÇÑ ³× ÀÚ¸´¼ö 5000¹ø´ë ¶óÀξ÷ Á¦Ç°µéÀº °¡°ÝÀûÀ¸·Î ÈξÀ ´õ Àú·ÅÇÑ Á¦Ç°ÀÌ´Ù.

±×·¡¼­ °¡°Ý Á¢±Ù¼ºÀÌ ÁÁ¾Æ ¸¶Å© ·¹ºó½¼ ºê·£µå°¡ ºñ½Î´Ù´Â ¼±ÀÔ°ßÀ» °¡Á³´ø ºÐµéµµ ¸¶Å© ·¹ºó½¼ °¡°ÝÀÌ ÀÌ·¸´Ù°í? »ý°¢ÇÒ Á¤µµ·Î ¼ö±àÀÌ °¡´Â °¡°ÝÀÌ´Ù. ´Ü¼øÈ÷ Àú·ÅÇÏ°Ô ¸¸µç Á¦Ç°Àº ¾Æ´Ï¾ú°í ¸®ºä¸¦ Çϸ鼭 °¢°¢ÀÇ Á¦Ç°µéÀ» ¸é¹ÐÈ÷ »ìÆìºÃ´Âµ¥ ¿ÜÇü»óÀ¸·Î ¼¨½Ã³ª ¹°·® ÅõÀÔÀ» ÁÙÀ̱â´Â ÇßÁö¸¸ °í±Þ±â¿¡¼­ ¸¸µé¾ú´ø ±×·± ±â¼ú·ÂÀÌ Çϱޱâ·Î Æ®¸®Å¬ ´Ù¿î. ³«¼ö È¿°ú¸¦ ÀÏÀ¸ÄÑ Ãæ½ÇÇÏ°Ô Àû¿ëÇØ »ó´çÈ÷ °¡¼ººñ ÀÖ´Â Á¦Ç°À» ¸¸µé ¼ö ÀÖ¾úÁö ¾Ê¾Ò³ª ½Í´Ù.

Á¤¸®ÇØ º¸ÀÚ¸é 5000¹ø´ë Á¦Ç°ÀÌ °¡Áö´Â Àǹ̴ °¡°Ý Á¢±Ù¼ºÀ» ÁÁ°Ô ÇßÁö¸¸ ±×·¸´Ù°í ¸¶³É Àú·ÅÇÏ°Ô¸¸ ¸¸µç Á¦Ç°ÀÌ ¾Æ´Ñ ¼º´Éµµ »ó´çÈ÷ ¿ì¼öÇÑ Á¦Ç°À̶ó°í ¸»ÇÒ ¼ö ÀÖ°Ú´Ù.


5000¹ø´ë ¶óÀξ÷

Mark Levinson No.5101 & No.5206 & No.5302

¸¶Å© ·¹ºó½¼ Á¦Ç°À» ¼Ò°³ÇØ º¸ÀÚ¸é Á¦Ç°¸íÀÌ ¾î¶² ±ÔÄ¢À¸·Î ¸í¸íµÆ´ÂÁö ¾ê±âÇØ¾ß µÉ °Í °°´Ù. Á¦Ç°Àº ¼Ò½º ±â±â³ª ÇÁ¸®¾ÚÇÁ, ÆÄ¿ö¾ÚÇÁ µîÀ¸·Î ±¸¼ºÀÌ µÇ´Âµ¥ ¼Ò½º ±â±âÀÇ °æ¿ì 1À̶ó´Â ¼ýÀÚ°¡ ²À Á¦Ç°¸í¿¡ µé¾î°£´Ù. ±×¸®°í ÇÁ¸®¾ÚÇÁÀÇ °æ¿ì 2¶ó´Â ¼ýÀÚ°¡ ²À µé¾î°¡°í ÆÄ¿ö¾ÚÇÁÀÇ °æ¿ì 3ÀÌ µé¾î°£´Ù.

ÀÎƼ¾ÚÇÁ °°Àº °æ¿ì´Â 8À̶ó´Â ¼ýÀÚ°¡ ²À Æ÷ÇԵż­ Á¦Ç°¸í¿¡ 1, 2, 3, 8 ¼ýÀÚ¸¸ ºÁµµ ¾î¶² Á¦Ç°ÀÎÁö ÃßÃøÇÒ ¼ö ÀÖ´Ù. ¼Ò½º ±â±â°¡ 1À̶ó´Â ¼ýÀÚ°¡ µé¾î°£´Ù°í ¾ê±âÇߴµ¥ À̹ø ¸®ºäÀÇ ¼Ò½º ±â±âÀÎ Streaming SACD Ç÷¹À̾î´Â 5101 Çü¹øÀ» °®°í ÀÖ´Ù. ¿©±â¼­ µÎ ¹ø° ¼ýÀÚÀÇ 1ÀÌ ¼Ò½º ±â±â¸¦ ÀǹÌÇÏ´Â 1¿¡ ÇØ´çµÈ´Ù. µÚ¿¡ 01Àº µðÁöÅÐ ¼Ò½º°í 5105 Çü¹øÀÇ ¾Æ³¯·Î±× ÅÏÅ×À̺í·Î ¼Ò½º ±â±â°¡ 2°³ ÀÖ´Ù.

5206 ÇÁ¸®¾ÚÇÁµµ µÎ ¹ø° ¼ýÀÚ°¡ 2·Î Ç¥±âµÇ¾î ÀÖ°í, 5302 ÆÄ¿ö¾ÚÇÁ´Â 3ÀÌ Ç¥±âµÇ¾î ÀÖ°í µÚ¿¡ 02°¡ ºÙ¾î ÀÖ´Ù. ÀÌ´Â ½ºÅ×·¹¿À ÆÄ¿ö¾ÚÇÁ¸¦ ÀǹÌÇϴµ¥ À̹ø ¸®ºä¿¡¼­´Â ¸ð³ëºí·ÏÀ¸·Î »ç¿ëÇÏ¿© ¾î¶»°Ô È°¿ëµÇ¾ú´ÂÁö ÆÄ¿ö¾ÚÇÁ ¼Ò°³ÇÒ ¶§ ¼³¸íÇϵµ·Ï ÇÏ°Ú´Ù.

ÀÎƼ ¾ÚÇÁ¿¡´Â 8ÀÌ µé¾î°£´Ù°í Çߴµ¥ 5802 ¸ðµ¨°ú 5805 ¸ðµ¨·Î µÎ °¡Áö·Î ±¸¼ºµÇ¾î ÀÖ´Ù. 5802´Â ¼Ò½º ±â±â¸¦ Æ÷ÇÔÇÏ¿© ¾Æ³¯·Î±× ÀÔ·ÂÀ» ¹ÞÁö ¸øÇÏ´Â ¸ðµ¨ÀÌ°í 5805´Â ¼Ò½º ±â±â¸¦ Æ÷ÇÔÇÏ°í ¾Æ³¯·Î±× ÀÔ·ÂÀ» ¹Þ¾Æ ¿ÜºÎ ±â±â¿Í ¿¬°áÀÌ °¡´ÉÇÑ Á¦Ç°ÀÌ´Ù.

¶óÀξ÷À» Á¤¸®ÇØ º¸ÀÚ¸é ¼Ò½º ±â±â 2Á¾, ÇÁ¸®¾ÚÇÁ 1Á¾, ÆÄ¿ö¾ÚÇÁ 1Á¾ ±×¸®°í ÀÎƼ ¾ÚÇÁ 2Á¾À¸·Î 6°¡Áö ¸ðµ¨·Î 5000¹ø´ë ¶óÀξ÷ÀÌ ±¸¼ºµÇ¾î ÀÖ´Ù.


No. 5101

Mark Levinson No.5101
Mark Levinson No.5101 Streaming SACD Ç÷¹À̾î

5000¹ø´ë ½Ã¸®ÁîÀÇ µðÁöÅÐ ¼Ò½º ±â±âÀε¥ »ó±Þ±â·Î´Â 519 ¸ðµ¨ÀÌ ÀÖ´Ù. 519¶ó´Â Á¦Ç°ÀÌ ±¹³»¿¡¼­µµ »ó´çÈ÷ È£Æò¹Þ¾Ò°í Áö³­ ¿Àµð¿À¼î¿¡¼­µµ ¸î ¹ø µîÀåÀ» ÇØ ±¹³»¿¡ ¼Ò°³µÆ´ø ÀÌ·ÂÀÌ ÀÖ´Â Á¦Ç°ÀÌ´Ù.

Mark Levinson No.5101ÀÇ »ó±Þ±â ¸ðµ¨ÀÎ No.519
Mark Levinson No.5101 Streaming SACD Ç÷¹À̾îÀÇ »ó±Þ±â ¸ðµ¨ÀÎ No.519

519°¡ ºñ½Ñ ÆíÀ̾ °¡°Ý Á¢±Ù¼ºÀÌ ÁÁÁö ¾Ê¾Ò´Âµ¥ 519ÀÇ ¼³°è »ç»óÀ» °í½º¶õÈ÷ 5101 SACD/CD Ç÷¹À̾ ³ì¿©³Â´Ù. ±×·¡¼­ 519¿¡ µé¾î°¬´ø Ư¡ÀÎ Precision Link 2 DAC°¡ °í½º¶õÈ÷ žÀçµÆ°í Pure Path ¾Æ³¯·Î±× ȸ·Îµµ žÀçµÆ´Ù.

Mark Levinson No.5101 ³»ºÎ
Mark Levinson No.5101 Streaming SACD Ç÷¹ÀÌ¾î ³»ºÎ

Á¦Ç° ³»ºÎ¸¦ »ìÆ캸´Ï ¼Ò½º ±â±âÄ¡°í ¾ÕµÚ ±æÀÌ°¡ ³Ê¹« ±æ°í ¼¨½Ã°¡ ³Ê¹« Ä¿¼­ ÄÄÆÑÆ®ÇÏÁö ¾Ê°Ô ¸¸µé¾î³ù³Ä°í »ý°¢Çß¾ú´Âµ¥ ³»ºÎ¸¦ º¸´Ï ¸®´Ï¾î ÆÄ¿öºÎ°¡ ¾Æ·¡Ãþ¿¡ ÀÖ°í ÃþÀ» ´Þ¸®Çؼ­ ¾Æ³¯·Î±× ȸ·Î º¸µå°¡ µû·Î °Ý¸®µÇ¾î ½ÇÀå µÇ¾î ÀÖ¾ú°í Áøµ¿À» À¯¹ßÇÒ ¼ö ÀÖ´Â µå¶óÀÌºê ¸ÞÄ¿´ÏÁòµµ ¾Õ ÂÊÀ¸·Î ¸ô·ÁÀÖ°í °Ýº®À¸·Î Â÷´ÜµÇ¾î ÀÖ´Ù.

ºÐ¸®ÇÏ°í ³ª´©°í ÀÌ·± °ÍµéÀº ÃÊÇÏÀÌ¿£µå ±â±â¿¡¼­³ª º¼¹ýÇÑ ±×·± ¼³°è »ç»óÀε¥ ÀÌ·± Àú·ÅÇÑ Á¦Ç°¿¡µµ ±â±â°¡ Å©´Ï±î ÀÌ·¸°Ô Àû¿ëÇÒ ¼ö ÀÖ¾ú´ø °Í °°¾Æ ´Ù ÀÌÀ¯°¡ ÀÖ´Â Å©±â¿Í ¼³°è¶ó°í »ý°¢ÀÌ µÆ´Ù.

¼³°è»Ó¸¸ ¾Æ´Ï¶ó ½ÇÁ¦ µé¾îºÃÀ» ¶§ 5000¹ø´ë Á¦Ç° Áß °¡Àå ÀλóÀûÀÎ °­·ÄÇÑ ÀλóÀ» ¹Þ¾Ò´ø Á¦Ç°ÀÌ°í °¡Àå ¾ÖÁ¤ÇÏ´Â Á¦Ç° Áß Çϳª´Ù.


No. 5206

Mark Levinson No.5206
Mark Levinson No.5206 ÇÁ¸®¾ÚÇÁ
Mark Levinson No.5206 ÇÁ¸®¾ÚÇÁÀÇ »ó±Þ±â ¸ðµ¨ÀÎ No.526
Mark Levinson No.5206 ÇÁ¸®¾ÚÇÁÀÇ »ó±Þ±â ¸ðµ¨ÀÎ No.526

5206 ÇÁ¸®¾ÚÇÁµµ »ó±Þ±â°¡ ÀÖ´Ù. 526À̶ó°í ¸¶Âù°¡Áö·Î È£Æò¹ÞÀº Á¦Ç°Àε¥ ±× ¼³°è »ç»óÀ» °í½º¶õÈ÷ ¹°·Á¹ÞÀº 5206 ÇÁ¸®¾ÚÇÁ´Ù.

Mark Levinson No.5206 ÇÁ¸®¾ÚÇÁÀÇ ³»ºÎ ·¹À̾ƿô

ÄÉÀ̽º¸¦ ¿­¾îº¸¸é ¸¶Å© ·¹ºó½¼ Á¦Ç°µéÀº ³»ºÎ Á¦Ç° ·¹À̾ƿôÀÌ Ç¥½ÃµÇ¾î Àִµ¥ ·¹À̾ º¸¸é ÆÄ¿öºÎ°¡ ÀÖ´Â °É È®ÀÎÇÒ ¼ö ÀÖ°í ÆÄ¿öºÎ°¡ µà¾ó·Î ±¸¼ºµÇ¾î ÀÖ´Ù. ±×·¡¼­ ¸®´Ï¾î ÆÄ¿ö°¡ ÀÖ°í SMPS ÆÄ¿ö·Î µà¾ó·Î ³ª´µ¾î Àִµ¥ ¾Æ³¯·Î±× ¼­Å¶°°ÀÌ ½ÅÈ£ ¼øµµ ÀÌ·¸°Ô Á÷Á¢ÀûÀÎ ½ÅÈ£¸¦ ó¸®ÇÏ´Â ºÎºÐ¿¡´Â ¸®´Ï¾î ÆÄ¿öºÎ¸¦ ¾²°í ÄÁÆ®·Ñ º¸µå¶óµç°¡ LED Ç¥½Ã, º¼·ý ³ëºê, ¼±Åà µî µðÁöÅÐ ºÎºÐ¿¡´Â SMPS¸¦ ½á °Ý¸®¸¦ ÇØ ¼³°èÇß´Ù.

°í¼øµµÀÇ À½ÁúÀÌ ÈѼյÇÁö ¾Êµµ·Ï °Ý¸®¸¦ Çß°í ¾Æ³¯·Î±× ±âÆÇ°ú µðÁöÅÐ ±âÆÇÀ» ¾Æ¿¹ ºÐ¸®¸¦ ÇØ ÃþÀ¸·Î ³ª´²³ù°í ÆÄ¿öºÎ¸¦ ºÐ¸®ÇÏ´Â °Í¸¸À¸·Îµµ ½Ã¿øÂú¾Ò´ÂÁö ¾Ë·ç¹Ì´½À¸·Î ½¯µùÇØ °¨½Î¹ö·È´Ù. °Ý¸®ÇÏ°í ºÐ¸®ÇÏ°í ÀÌ·± ¼³°è »ç»óÀÌ »ó´çÈ÷ ÇÏÀÌ¿£µå ±â±â¿¡¼­³ª Àû¿ëµÉ ¹ýÇѵ¥ ±×·¸°Ô ÇÁ¸®¾ÚÇÁ¿¡µµ Àû¿ëµÇ¾î ÀÖ´Ù.

Mark Levinson No.5206 ÇÁ¸®¾ÚÇÁ´Â Èĸ鿡 ¸¶·ÃµÈ DIP ½ºÀ§Ä¡·Î Ä«Æ®¸®ÁöÀÇ ÀÓÇÇ´ø½º °ªÀ»  Á¤¹ÐÇÏ°Ô ¼¼ÆÃÇÒ ¼ö ÀÖ´Ù.
Mark Levinson No.5206 ÇÁ¸®¾ÚÇÁ´Â Èĸ鿡 ¸¶·ÃµÈ DIP ½ºÀ§Ä¡·Î Ä«Æ®¸®ÁöÀÇ ÀÓÇÇ´ø½º °ªÀ»  Á¤¹ÐÇÏ°Ô ¼¼ÆÃÇÒ ¼ö ÀÖ´Ù.

»ó±Þ±â¿¡¼­ È£Æò¹Þ¾Ò´ø Pure Path A Ŭ·¡½º ¾Æ³¯·Î±× ȸ·Î µðÀÚÀÎÀÌ °í½º¶õÈ÷ Àû¿ëÀÌ µÇ¾î Æ÷³ë´ÜÀ» Áö¿øÇϴµ¥ MC, MM ŸÀÔÀ» Áö¿øÇÑ´Ù ÀÌ Á¤µµ°¡ ¾Æ´Ï¶ó Èĸ鿡 DIP ½ºÀ§Ä¡·Î Ä«Æ®¸®ÁöÀÇ ÀÓÇÇ´ø½º °ªÀ» Á¤¹ÐÇÏ°Ô ¼¼ÆÃÇÒ ¼ö ÀÖ¾î º°¸Å·Î ÆǸÅÇÏ´Â ¿ÜÀå Æ÷³ë¾ÚÇÁ ¼öÁØÀÇ Æ÷³ë½ºÅ×ÀÌÁö°¡ žÀçµÇ¾î ÀÖ´Ù.

Mark Levinson No.5206 ÇÁ¸®¾ÚÇÁ Èĸé
Mark Levinson No.5206 ÇÁ¸®¾ÚÇÁ Èĸé

°íÇ°ÁúÀÇ Æ÷³ë¾ÚÇÁ°¡ ±âº» ÀåÂøµÇ¾î ÀÖ´Ù´Â Á¡ÀÌ »ó´çÈ÷ ¹Ý°Ü¾ß ÇÒ¸¸ÇÑ Æ¯Â¡ÀÌ°í ¾Æ³¯·Î±×¸¸ ½Å°æ ¾´°Ô ¾Æ´Ï¶ó Ȩ ½Ã¾îÅÍ »ç¿ëÀڵ鵵 »ó´çÈ÷ ¹è·Á¸¦ ÇÑ °Í °°´Ù. Å©·Î½º¿À¹ö ÄÆ ÁÖÆļö°¡ Áö¿øÀÌ µÇ´Â ¿ÜÀå ¼­ºê¿ìÆÛ ¿¬°á ´ÜÀÚ¸¦ Áö¿øÇϱ⵵ ÇÏ°í º¼·ý ¿¡·¯¸¦ ¹ÙÀÌÆнº¿¡¼­ ¿î¿ëÇÒ ¼ö ÀÖ´Â ¸ðµåµµ Áö¿øÇÏ°í ÀÖ´Ù.

±×·¡¼­ »ó´çÈ÷ °íÇ°ÁúÀ» Ãß±¸Çϸ鼭µµ ´Ù¾çÇÑ ¾Æ³¯·Î±×»Ó¸¸ ¾Æ´Ï¶ó µðÁöÅÐ ¿¬°á, Ȩ ½Ã¾îÅÍ »ç¿ëÀÚ±îÁö ¹è·ÁÇÑ ´Ù¿ëµµ¸¦ ´Ù¾çÇÏ°Ô ´ëÀÀÇÏ´Â ´ÙÀç´Ù´ÉÇÑ ÇÁ¸®¾ÚÇÁ¶ó°í ¸»ÇÒ ¼ö ÀÖ´Ù. ¶Ç 5101 SACD Ç÷¹À̾î¿Í µ¿ÀÏÇÑ »ç¾çÀÇ DAC°¡ ³»ÀåµÇ¾î 5206 ÇÁ¸®¾ÚÇÁ¸¸À¸·Îµµ ¼Ò¸®¸¦ µéÀ» ¼ö ÀÖ´Ù´Â Á¡ÀÌ ¼ÒºñÀÚ ÀÔÀå¿¡¼­´Â ¹Ý±æ¸¸ÇÑ ºÎºÐÀÎ °Í °°´Ù.


No. 5302

Mark Levinson No.5302 ÆÄ¿ö¾ÚÇÁ
Mark Levinson No.5302 ÆÄ¿ö¾ÚÇÁ
Mark Levinson No.5302 ÆÄ¿ö¾ÚÇÁÀÇ »ó±Þ±â ¸ðµ¨ÀÎ No.534
Mark Levinson No.5302 ÆÄ¿ö¾ÚÇÁÀÇ »ó±Þ±â ¸ðµ¨ÀÎ No.534

5302 ÆÄ¿ö¾ÚÇÁ´Â »ó±Þ±â 534ÀÇ ¼³°è »ç»óÀ» ¹°·Á¹ÞÀº Á¦Ç°ÀÌ´Ù. 8¿È¿¡ 135WÀÇ Ãâ·Â, 4¿È¿¡ 270W·Î ¼±ÇüÀûÀ¸·Î 2¹è Áõ°¡ÇÏ¿© Àü¿øºÎ¸¦ Æ°½ÇÇÏ°Ô ¸¸µç À£¸ÞÀ̵å ÆÄ¿ö¾ÚÇÁ´Ù.

Mark Levinson No.5302 ÆÄ¿ö¾ÚÇÁÀÇ Èĸ鿡 ¸¶·ÃµÈ Åä±Û ½ºÀ§Ä¡. ½ºÅ×·¹¿À ¸ðµå¿Í ºê¸´Áö ¸ðµå¸¦ ¼±ÅÃÇÒ ¼ö ÀÖ´Ù.
Mark Levinson No.5302 ÆÄ¿ö¾ÚÇÁÀÇ Èĸ鿡 ¸¶·ÃµÈ Åä±Û ½ºÀ§Ä¡. ½ºÅ×·¹¿À ¸ðµå¿Í ºê¸´Áö ¸ðµå¸¦ ¼±ÅÃÇÒ ¼ö ÀÖ´Ù.

µ¿ÀÛ ¹æ½ÄÀº AB Ŭ·¡½º·Î µ¿ÀÛÀ» ÇÏ°í ½ºÅ×·¹¿À ÆÄ¿ö¾ÚÇÁÀÌ¸ç ¸ð³ëºí·ÏÀ¸·Îµµ »ç¿ëÀÌ °¡´ÉÇÏ´Ù. ±×·¡¼­ ºê¸´Áö ¸ðµå·Î »ç¿ëÇÒÁö ½ºÅ×·¹¿À ¸ðµå·Î »ç¿ëÇÒÁö ¼±ÅÃÇÏ´Â Åä±Û½ºÀ§Ä¡°¡ Èĸ鿡 À§Ä¡ÇÑ´Ù. ºê¸´Áö ¸ðµå·Î »ç¿ëÇÏ°Ô µÇ´Â °æ¿ì ¸ð³ëºí·ÏÀ¸·Î º¯½ÅÀ» ÇÏ°Ô µÇ´Âµ¥ ±×·± °æ¿ì Ãâ·ÂÀÌ ¸¹ÀÌ Áõ°¡ÇÏ°Ô µÈ´Ù.

8¿È¿¡ 275WÀÇ Ãâ·Â°ú 4¿È¿¡ 550WÀÇ ´ëÃâ·Â Ư¼ºÀ» °¡Áø ¾ÚÇÁ·Î º¯½ÅÇÏ°Ô µÈ´Ù. ¾Æ³¯·Î±× ȸ·Î Áß Àü¾Ð °ÔÀδÜÀº 534¿Í µ¿ÀÏÇÑ ÅäÆú·ÎÁö¸¦ »ç¿ëÇß´Ù°í ÇÑ´Ù. ¿ÜÇüÀ» º¸¸é ¹ß¿­ÀÌ ½ÉÇÑ °Å ¾Æ´Ò±î ¶ó´Â »ý°¢À» Çϸ鼭 ÀÇ½É °¡´Â ´«Ãʸ®·Î Á¦Ç° ¸®ºä¸¦ Çϸ鼭 »ìÆìºÃ´Âµ¥ ¼ö½Ã°£ À־ ¾ÈÁ¤ÀûÀÎ ¹ßÇö µ¿ÀÛÀ¸·Î »ó´çÈ÷ ¿ì¼öÇÑ ³»±¸¼ºÀÌ ±â´ëµÇ´Â ¹ß¿­ Ư¼ºÀ» º¸¿©Áá´Ù.

ÆÄ¿ö¾ÚÇÁ´Â ¹«°Ô·Î ¼º´ÉÀ» °¡´ÆÇÏ´Â ºÐµéµµ ÀÖ´Â °Í °°´Ù. ÇÊÀÚ ¿ª½Ã ¹«°Ô¸¦ Áß¿ä½Ã º¸±âµµ Çϴµ¥ 5302 ÆÄ¿ö¾ÚÇÁ¸¦ ¾èº¸°í °¡º±°Ô µé ¼ö ÀÖÀ» ÁÙ ¾Ë¾Ò´Âµ¥ 31.7kgÀ¸·Î Æ°½ÇÇÑ ¹«°Ô¸¦ ÇÏ°í ÀÖ´Ù.


Àü¿ë ¾Û

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Music Life ¾Û¿¡¼­ ÀÎÅÍ³Ý ¶óµð¿À, ÆÌij½ºÆ®, ŸÀÌ´Þ, Napster, Deezer, ÄÚºÎÁî µî ´Ù¾çÇÑ ½ºÆ®¸®¹Ö ¼Ò½º¸¦ Á¦°øÇØ ÁÖ°í º¼·ý ÄÁÆ®·ÑÀº No. 5101ÀÌ ³»Àå º¼·ýÀ» Áö¿øÇÏ´Â ±â±â°¡ ¾Æ´Ï±â ¶§¹®¿¡ º¼·ý º¯°æÀ» ÇغÁµµ º¯È­´Â ¾ø´Ù.


½ÃûÆò

Mark Levinson No.5101 & No.5206 & No.5302 ¸ÅĪ ½Ã½ºÅÛ

º¸Åë ¸¶Å© ·¹ºó½¼ Á¦Ç°Àº Çϸ¸ÀÇ Revel(·¹º§), JBL ½ºÇÇÄ¿·Î ¸ÅĪµÇ¾î ½Ã¿¬Çߴµ¥ À̹ø ¸®ºä´Â ÇÏÀÌÆÄÀÌŬ·´ ½Ãû½Ç¿¡¼­ Avalon(¾Æ¹ß·Ð) PM2 ½ºÇÇÄ¿¸¦ »ç¿ëÇÏ¿© ÁøÇàÇß´Ù. °³ÀÎÀûÀ¸·Î ¾Æ¹ß·Ð PM2 ½ºÇÇÄ¿¸¦ »ó´çÈ÷ ÁÁ¾ÆÇÏ´Â ½ºÇÇÄ¿¶ó¼­ À̹ø ¸ÅĪ¿¡ ¾î¶² ¼Ò¸®°¡ ³ª¿ÃÁö ±Ã±ÝÇß´Ù.

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º»°ÝÀûÀ¸·Î À½¾Ç ¼Ò°³¿¡ ¾Õ¼­ ½ÃûÇØ ºÃ´ø °á°ú¸¦ ¿ä¾àÇØ º¸ÀÚ¸é 5000¹ø´ë ½Ã¸®Áî´Â °¢°¢ÀÇ ¸®ºä¿¡¼­ ¾ê±âÇß´ø °Íó·³ ½Ç¼Ó ÀÖ´Â Á¦Ç°À̶ó°í ¿©°ÜÁ®¼­ º¯È­¹«½ÖÇÏ°Ô ¿î¿ë °¡´ÉÇÑ ½Ã½ºÅÛÀ̶ó°í »ý°¢µÈ´Ù. ÆÄ¿ö¾ÚÇÁÀÇ °æ¿ì ¸ð³ëºí·ÏÀ¸·Î »ç¿ëÇÒ ¼öµµ ÀÖÁö¸¸ ½ºÅ×·¹¿À ¸ðµå·Î »ç¿ëÇÒ ¼öµµ Àֱ⠶§¹®¿¡ ½Ã½ºÅÛ ¿©°Ç¿¡ µû¶ó ¿î¿ë ÆøÀÇ º¯È­°¡ ÁÁÀº ½Ã½ºÅÛÀ̾ú´ø °Í °°´Ù.

¾ó¸¶ Àü¿¡ ·¹º§ ½ºÇÇÄ¿·Î ¸ÅĪÇؼ­ ¹ÙÀ̾ÚÇÎÀ¸·Î ½Ã¿¬ÇÑ Àû À־ Çà»ç¸¦ ÁøÇàÇϸç F328Be ½ºÇÇÄ¿ÀÇ ÀáÀç·ÂÀ» ²ø¾î³»±â À§ÇØ ¹ÙÀ̾ÚÇαîÁö µ¿¿øÀ» ÇÏ¸ç ¹°·® ÅõÀÔÀ» ÇØ ¾î·Æ°Ô ´ÙÀ̳ª¹Í½º Ư¼ºÀ» °­Á¶Çؼ­ ±¸µ¿Çß´Ù¸é À̹ø¿¡ µé¾îº» PM2¿ÍÀÇ Á¶ÇÕ¿¡¼­´Â »ó´çÈ÷ ÀýÁ¦µÇ¸é¼­µµ Áß¿ëÀÇ ¹Ì´öÀ» °¡Áö°í ÀÖ´Ù.

Mark Levinson No.5101 & No.5206 & No.5302 ¸ÅĪ ½Ã½ºÅÛ

ÀýÁ¦µÈ Àú¿ª Ç¥Çö ¾ç°¨°ú ÅÊÅÊÇÏ°í ¹ÝÀÀ¼ºÀÌ ºü¸¥ Ư¼ºÀ» º¸¿©ÁÖ¾î ÀÔüÀûÀÎ Àç»ýÀ½À» µéÀ» ¼ö ÀÖ¾ú´Ù. ¾Æ¹ß·Ð PM2¶ó´Â ½ºÇÇÄ¿¸¦ ´Ù¸¥ ¾ÚÇÁ¿Í ¸ÅĪÇؼ­ ¼³¸íÇÒ ¶§µµ »ó´çÈ÷ ÀÔüÀûÀÎ Àç»ýÀ½À» ´À³¥ ¼ö ÀÖ´Ù°í ¾ê±âÇϴµ¥ ¸¶Å© ·¹ºó½¼ Á¶ÇÕ¿¡¼­µµ ¾Æ¹ß·ÐÀÇ Áø°¡´Â »ó´çÈ÷ ºûÀ» ¹ßÇß´Ù.

Àü¹ÝÀûÀ¸·Î »ó±Þ±âÀÇ »ç¿îµå ¾ÆÀ̵§Æ¼Æ¼°¡ °í½º¶õÈ÷ ³ì¾Æ À־ 5000¹ø´ë ½Ã¸®Áî Á¦Ç°µµ ¸¶Å© ·¹ºó½¼ Ç÷ÅëÀÌ ¸Â´Ù¶ó°í ´À³¥ ¼ö ÀÖ¾ú°í Á߸³ÀûÀÌ°í ¾ÈÁ¤ÀûÀÎ Åä³Î ¹ë·±½º Ư¼ºÀÌ »ó´çÈ÷ ÀλóÀûÀ̾ú´Ù. ¾à°£ ºÎµå·¯¿î °í¿ª ¼ºÇâµµ ÀϺΠȮÀÎÇÒ ¼ö ÀÖ¾ú´Âµ¥ ¿¹ÀüÀÇ ¸¶Å© ·¹ºó½¼ »ç¿îµå¸¦ ±â¾ïÇÏ´Â ºÐµéÀº »ç¿îµå°¡ ÁÁ¾ÒÁö¸¸ ´ÙÅ© ·¹ºó½¼À̾ß, °í¿ªÀÌ ³Ê¹« ¾îµÎ¿ö ±×·±µ¥ ½ÅÇü Á¦Ç°Àº ¸¹ÀÌ ¹à¾ÆÁ³³×¶ó´Â Æò°¡¸¦ ÇÑ´Ù.

±×·¡¼­ °í¿ªÀÌ ·Ñ¿ÀÇÁ µÇ°Å³ª ¾îµÓ°Å³ª Çϴ Ư¡Àº ¹ß°ßµÇÁö ¾Ê¾Ò°í »ó´çÈ÷ Çö´ëÀûÀ¸·Î ¹ßÀüÇÑ ±×·± ¸¶Å© ·¹ºó½¼ÀÇ º¯È­µÈ »ç¿îµå¸¦ ¸¸³£ÇÒ ¼ö ÀÖ´Ù. Áö±ÝºÎÅÍ ½ÇÁ¦·Î µé¾ú´ø Àç»ýÀ½. ¾î¶² °îÀ» µé¾úÀ» ¶§ ¾î¶² Àç»ýÀ½À» µé·ÁÁá´ÂÁö ±¸Ã¼ÀûÀÎ ¼³¸íÀ» ½ÃÀÛÇÏ°Ú´Ù.

¾ÆƼ½ºÆ®   Julia Fischer
°î   Tchaikovsky: Allegro Moderato, Canzonetta (Andante), Finale (Allegro Vivacissimo)
¾Ù¹ü   Tchaikovsky: Violin Concerto

À²¸®¾Æ ÇǼÅÀÇ Â÷ÀÌÄÚÇÁ½ºÅ° ¹ÙÀ̿ø° ÄÜü¸£Åä°¡ ¼ö·ÏµÇ¾î ÀÖ´Â SACD·Î 1¹ø Æ®·¢ºÎÅÍ 3¹ø Æ®·¢±îÁö Âß µé¾îºÃ´Ù. 5101 SACD Ç÷¹À̾ µé¾úÀ» ¶§ Àç»ýÀ½ÀÌ ¿Àµð¿À¿¡¼­ ³ª´Â ¼Ò¸®°¡ ¾Æ´Ï¶ó ÀÔüÀûÀ¸·Î ·¹À̾ÀÌ ¿Ï¼ºµµ ³ô°Ô Ç¥ÇöÀÌ µÈ´Ù°í ¸®ºä ¶§ ¾ê±âÇß¾ú°í ¾Æ¹ß·Ð PM2µµ ÀÔüÀûÀÎ À½ Ç¥ÇöÀÌ »ó´çÈ÷ ÁÁ´Ù°í Çߴµ¥ ±â±âÀÇ Æ¯¼ºÀÌ ½Ã³ÊÁö¸¦ ÀÌ·ï¼­ »ó´çÈ÷ ÀÔüÀûÀÌ°í »ç½ÇÀûÀÎ Àç»ýÀ½À» µéÀ» ¼ö ÀÖ¾ú´Ù.

½ÉÁö¾î ¿¬ÁÖÀÚÀÇ ¸öÁþÀÌ ¿¬»óµÉ Á¤µµ·Î ÀÔüÀûÀÎ »ç¿îµå°¡ Ç¥ÇöµÆ°í Ç÷§ÇÑ Åä³Î ¹ë·±½º Ư¼ºÀ» ±â¹ÝÀ¸·Î ¼¶¼¼ÇÑ ¹¦»ç°¡ ÀÏÇ°À̾ú´Ù. ƯÈ÷ Áß¿ªÀÇ Ç¥ÇöÀÌ ÁÁ¾Ò´Ù°í ¾ê±âÇÏ°í ½Í´Ù. 5101 SACD Ç÷¹À̾ R2R ¹æ½ÄÀÌ ¾Æ´Ï¶ó µ¨Å¸ ½Ã±×¸¶ ¹æ½ÄÀÌ¶ó¼­ ÀÌ °¡°Ý´ëÀÇ µ¨Å¸ ½Ã±×¸¶ ¹æ½ÄÀÌ À½ÀÇ µÎ²²°¨ÀÌ ¾Æ½¬¿òÀ¸·Î Ç¥ÇöµÇ´Â °æ¿ì°¡ ¸¹Àºµ¥ 5101Àº À½ÀÇ µÎ²² ¸é¿¡¼­ ¾àÁ¡À» º¸¿©ÁÖÁö ¾Ê¾Ò´Ù.

¿ÀÈ÷·Á ¸¸Á·½º·¯¿î µÎ²²°¨À» µéÀ» ¼ö ÀÖ¾ú°í À½ µÎ²² Ç¥Çö, Áß¿ªÀÇ µÎ²²°¨, ¹Ðµµ°¨À̶óµç°¡ ÀÌ·± Ãø¸é¿¡¼­µµ »ó´çÈ÷ ÁÁÀº Ư¼ºÀ» µéÀ» ¼ö ÀÖ¾ú´Ù. ÀüüÀûÀÎ Àç»ýÀ½À» »ìÆ캼 ¶§ Àü¹ÝÀûÀÎ Àú¿ª ¾ç°¨Àº ÀýÁ¦µÇ¾î ÀÖÁö¸¸ ¿ä¾à¿¡¼­ ¾ê±âÇß´ø °Íó·³ ½ºÇǵ尡 »ó´çÈ÷ ÅÊÅÊÇÏ°í ºü¸¥ ¹ÝÀÀ¼ºÀ¸·Î ¿Ï¼ºµµ ³ôÀº Àú¿ªÀ½À» µéÀ» ¼ö ÀÖ¾ú°í ¿ÀÈ÷·Á °¡Á¤¿¡¼­´Â ÀûÀýÇÑ ¾ç°¨ÀÌÁö ¾ÊÀ»±î ÇÏ´Â »ý°¢µµ ´À²¼´Ù.

¾ÆƼ½ºÆ®   Bill Evans Trio
°î   Waltz For Debby
¾Ù¹ü   Waltz For Debby

ÀÌ ¾Ù¹ü¿¡¼­´Â Àç»ýÀ½ÀÌ ¿¹»ÚÀåÇÏ°í »ó´çÈ÷ ¾Æ±âÀÚ±âÇÏ°Ô ÀÔüÀûÀ¸·Î Ç¥ÇöÀÌ µÇ¾î µè´Â Áñ°Å¿òÀÌ ÀÖ¾ú°í ƯÈ÷ ´õºíº£À̽º ÁÖÀÚÀÇ Çö ƨ±â´Â ´À³¦À̶óµç°¡ ±×·± º£À̽ºÀÇ ¾ç°¨ Ç¥ÇöÀÌ ÀýÁ¦µÇ¾î ÀÖÀ¸¸é¼­µµ »ó´çÈ÷ źźÇÏ°Ô Àß ¹¦»ç°¡ µÆ´Ù. ºü¸´ÇÑ Àú¿ª ¹ÝÀÀ¼ºµµ ÀλóÀûÀ̾ú°í Àú¿ª Ư¼ºÀº Ç®¾îÁö°Å³ª ´À¸° ½ºÇǵ忡 Àú¿ªÀ» ½È¾îÇÏ´Â ºÐµµ ¼±È£ÇÒ ¹ýÇÑ Àç»ý Ư¼ºÀ̶ó°í ¸»ÇÒ ¼ö ÀÖ´Ù.

Áß°£Áß°£ µîÀåÇÏ´Â µå·³ÀÇ Å¸°Ý°¨ °°Àº Ç¥ÇöÀÌ »ó´çÈ÷ ÁÁ¾Ò´Ù. ½º³×¾î µå·³ÀÇ ºÎµúÈ÷´Â ´À³¦°ú ºê·¯½¬µå ŸÀÔÀÇ ½ºÆ½ÀÌ ÁÖ´Â Áú°¨ Ç¥Çö °°Àº °Ô Àß ¹¦»ç°¡ µÆ°í µÎ²²°¡ ¾ãÁö ¾Ê°í µÎÅùÇÑ °Ô ÀÌ °î¿¡¼­ °¨Áö°¡ µÈ´Ù. ±×·¡¼­ µÎÅùÇÑ Àç»ýÀ½ Ç¥Çö, Áß¿ªÀÇ Ç¥Çöµµ »ó´çÈ÷ ÁÁ¾Ò°í ¾Æ³¯·Î±× ȸ·ÎÀÇ ¿Ï¼ºµµ°¡ »ó´çÈ÷ ³ô´Ù´Â ´À³¦ÀÌ µé¾ú´Ù.

±×»Ó¸¸ ¾Æ´Ï¶ó Àç»ýÀ½¿¡ È°±â°¡ ³ÑÄ¡°í »ýµ¿°¨ÀÌ µ¹¾Æ »ç½ÇÀûÀ¸·Î ´Ù°¡¿Ô´Âµ¥ ¸®µë ¾Ø ÆäÀ̽º ´É·ÂÀÌ ÁÁ°í ¿Ï±Þ Á¶Àý ´É·ÂÀÌ ÁÁ±â ¶§¹®¿¡ ÀÌ·± Ư¼ºÀ» º¸ÀÌÁö ¾Ê¾Ò³ª »ý°¢ÀÌ µç´Ù. Àü¹ÝÀûÀ¸·Î »ó´çÈ÷ ¿Ï¼ºµµ ³ô°í ¾Æ±âÀÚ±âÇÏ°í ÀÔüÀûÀÎ »ç¿îµå¸¦ ¸¸³£ÇÒ ¼ö À־ Àç¹ÌÀÖ°Ô µé¾ú´ø °îÀÌ´Ù.

ÇÇ¾Æ³ë   Sun-Wook Kim
°î   Piano Sonata No. 8 In C Minor Op. 13 "Pathétique" - II. Adagio Cantabile
¾Ù¹ü   Beethoven Piano Sonatas Pathétique. Moonlight. Appassionata

ÀÌ °îÀº ¾Õ¼­ µéÀº µÎ °î°ú´Â ´Ù¸£°Ô ¹°¸® ¸Åü°¡ ¾Æ´Ï¶ó ½ºÆ®¸®¹Ö ¹æ½ÄÀ¸·Î ³×Æ®¿öÅ© Ç÷¹ÀÌ Å¸ÀÌ´Þ ½ºÆ®¸®¹ÖÀ¸·Î Àç»ýÇغôÙ. Çϸ¸ÀÇ Music Life ¾ÛÀ» »ç¿ëÇß°í ³×Æ®¿öÅ© Ç÷¹À̸¦ ÇÏ¸é ¹°¸® ¸Åü ´ëºñ ¾à°£ ±âÀú ³ëÀÌÁî°¡ »ó½ÂÇؼ­ ³ëÀÌÁî Ç÷ο찡 Á¶±Ý ¿Ã¶ó°¡´Â ´À³¦ÀÌ µé±â´Â ÇÑ´Ù. ÇÏÁö¸¸ ¼±°îÇÒ ¶§ ¹°¸® ¸Åü´Â °¥¾Æ ³¢¿ì´Â ºÒÆíÇÔÀÌ Àִµ¥ ±âÀú ³ëÀÌÁî°¡ »ó½ÂÇÑ °Í »©°í´Â ¼±°î¿¡¼­ ÈξÀ ´õ Æí¸®Çϱ⠶§¹®¿¡ ±× ºÎºÐÀ» °¨¼öÇß´Ù.

ÇǾƳë ÅæÀÇ Àç»ýÀÌ »ó´çÈ÷ ÀÚ¿¬½º·´°í Àß Ç¥ÇöµÆ´Ù. ±è¼±¿íÀÇ ¼¼¹ÐÇÑ ÅÍÄ¡ À½ ÇϳªÇϳª¸¦ Á¤¸» Àß »ì·Á¼­ dzºÎÇÏ°Ô Ç¥ÇöÇØ Áá°í 5101 SACD Ç÷¹À̾îÀÇ ÀÔüÀûÀÎ »ç¿îµå Ư¼ºÀº ¾Æ¹ß·Ð°ú ½Ã³ÊÁö¸¦ ÀÌ·ï¼­ ÀÌ °î¿¡¼­µµ ¾Æ¸§´ä°í ¿µ·ÕÇÏ°Ô Àß Ç¥ÇöÀÌ µÆ´Ù. °í±Þ±â¸¦ ¸¹ÀÌ ¸¸µé¾î º» ȸ»ç´ä°Ô Àç»ýÀ½ ÀÚü°¡ ±× ¿Ï¼ºµµ°¡ »ó´çÈ÷ ³ô¾Ò´Ù.

°¡°ÝÇ¥´Â ¸¶Å© ·¹ºó½¼ Ä¡°í´Â Àú·ÅÇÏÁö¸¸ ¼Ò¸®¸¸Å­Àº °áÄÚ Àú·ÅÇÏÁö ¾Ê´Ù´Â ´À³¦À» ¹Þ¾Ò´Ù. ÇǾƳë¶ó´Â ¾Ç±â°¡ Á¶±Ý Ç¥ÇöÇϱⰡ ¾î·Á¿î ¾Ç±âÀÏ ¼ö Àִµ¥ ±×·± ºÎºÐµµ ¾î·Á¿ò ¾øÀÌ Àß Çس´ٴ Á¡ÀÌ ÁÁ¾Ò´Ù.


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5000¹ø´ë ½Ã¸®ÁîÀÇ ¼¨½Ã ¸¶°¨µµ°¡ ¶³¾îÁø´Ù´Â ¾ê±â¸¦ µè´Âµ¥ µðÀÚÀÎ Ãø¸éÀº ¾à°£ È£ºÒÈ£°¡ ÀÖ°ÚÁö¸¸ ¸¶Å© ·¹ºó½¼ ºê·£µå¸¦ ´Þ°í ÀÌ °¡°Ý¿¡ ÀÌ Á¤µµ ¼º´ÉÀ¸·Î µðÀÚÀαîÁö´Â ¹«¸®ÇÑ ¹Ù¶÷ÀÌÁö ¾ÊÀ»±î »ý°¢ÀÌ µé¾ú´Ù. ¿Ö³ÄÇÏ¸é ³»ºÎ ±¸¼ºÀ» »ìÆ캸´Ï ¿ÏÀüÈ÷ ²Ë Âù ¸Å½ÇÀÌ º¸ÀÌ´Â ±×·± Á¦Ç°À̾ú´Ù. ¶Ç ¸·»ó ¼¼Æ®·Î ³õ°í º¸¸é µðÀÚÀÎÀûÀ¸·Î ³ª»ÚÁö ¾ÊÀºµ¥? ¶ó´Â »ý°¢ÀÌ µé±âµµ ÇÑ´Ù.

Mark Levinson No.5101 & No.5206 & No.5302 ¸ÅĪ ½Ã½ºÅÛ

¸¶Å© ·¹ºó½¼ÀÇ 5000¹ø´ë Á¦Ç°À¸·Î ÀÌ·ïÁø ½Ã½ºÅÛÀ» µé¾îºÃ°í °¡Àå ÇÏÀ§ ¶óÀξ÷ÀÌ°í Àú·ÅÇÑ Á¦Ç°ÀÌÁö¸¸ ¸¶Å© ·¹ºó½¼ÀÇ Ç÷ÅëÀ» °í½º¶õÈ÷ ´À³¥ ¼ö ÀÖ´Â ÀüÅë ÀÖ´Â »ç¿îµå¸¦ ¿©ÀüÈ÷ È®ÀÎÇÒ ¼ö ÀÖ¾ú´Ù. °³ÀÎÀûÀ¸·Î 5000¹ø´ë ½Ã¸®Áî Á¦Ç° Áß¿¡¼­ ¼Ò½º ±â±â°¡ °¡Àå ¸¶À½¿¡ µé¾ú°í ÇÁ¸®¾ÚÇÁÀÇ °æ¿ì »ó´çÈ÷ ÃâÁßÇÑ º¼·ý´ÜÀ» °¡Áö°í ÀÖ°í ¿ì¼öÇÑ Æ÷³ë¾ÚÇÁ°¡ ³»ÀåµÇ¾î ÀÖ´Â µ¥´Ù°¡ Ȩ ½Ã¾îÅÍ »ç¿ëÀÚµéÀ» À§ÇÑ ¹ÙÀÌÆнº ¸ðµå µî ´ÙÀç´Ù´ÉÇÏ°Ô È°¿ëÀÌ °¡´ÉÇØ º¸¿´´Ù.

5302 ÆÄ¿ö¾ÚÇÁ´Â ½ºÅ×·¹¿À ¸ðµå·Î ¿î¿ëÇÒ ¼öµµ ÀÖÁö¸¸ ¹ÙÀ̾ÚÇÎÀ¸·Î ¿î¿ëÇÒ ¼ö ÀÖ°í ½Ã½ºÅÛ ¼³Ä¡ ¿©°Ç¿¡ µû¶ó º¯È­¹«½ÖÇÏ°Ô ÀûÀÀÇÒ ¼ö ÀÖ´Â ÀûÀÀ·ÂÀ» º¸¿©ÁØ Á¦Ç°À̶ó°í »ý°¢µÈ´Ù. ÇÏÁö¸¸ ¸ð³ëºí·ÏÀ¸·Î »ç¿ëÇÒ ¶§ Á¶±Ý °í¹ÎÀÌ µÉ ÇÊ¿äµµ ÀÖÀ» °Í °°´Ù. ¾î¶² °í¹ÎÀÌ³Ä¸é »ó±Þ±â 534 ¸ðµ¨ÀÌ Á¦Ç° °¡°ÝÀ¸·Î º¼ ¶§ 5302¸¦ ¸ð³ëºí·ÏÀ¸·Î ¼±ÅÃÇÏ´À³Ä, 534°¡ Çö¸íÇÏ´À³Ä °í¹ÎÀÌ µÉ ¼ö ÀÖÀ» °Í °°´Ù.

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Mark Levinson No.5101 Specifications
Output Voltage (0dBFS) 3.0V RMS single-ended at full scale; 6.0V RMS balanced at full scaleNOW
Total Harmonic Distortion + Noise <0.004% 20Hz to 20kHz, single-ended, 3V RMS output (44.1kHz/16 bit signal)
Total Harmonic Distortion + Noise <0.003% 20Hz to 20kHz, balanced, 6V RMS output (44.1kHz/16 bit signal)
Total Harmonic Distortion + Noise <0.003% 20Hz to 20kHz, single-ended, 3V RMS output (192kHz/24 bit signal)
Total Harmonic Distortion + Noise <0.002% 20Hz to 20kHz, balanced, 6V RMS output (192kHz/24 bit signal)
Signal to Noise Ratio, Single-ended >94dB (wideband, unweighted, referred to 3V RMS output)
Signal to Noise Ratio, Balanced >106dB (wideband, unweighted, referred to 6V RMS output)
Power Consumption, Standby <0.4W
Power Consumption, Power On 32W
Digital Audio Connectors 1 optical digital input (Toslink), 1 coaxial digital S/PDIF input (RCA), 1 optical digital output (Toslink), 1 coaxial digital S/PDIF output (RCA)
Output Connectors 1 pair single-ended line level (RCA), 1 pair balanced line-level outputs (XLR)
Control and Network Connectors 1 RS-232 port (DB9 connector), 1 IR input (1/9"/3.5mm phone jack), 1 12V DC trigger input (1/8"/3.5mm phone jack), 1 Ethernet port (RJ-45 connector), 1 USB-A connector, 1 Wi-Fi antenna connector (SMA receptacle)
Wireless Format 2.4GHz, 802.11b/g/n
Supported File Types FLAC, WAV, AIFF, OGG up to 24 bit.192kHz; DSF, DFF up to 5.6MHz (DSD128/DSD 2X); AAC up to 24 bit/96kHz; MP3 up to 320kbps/48kHz; WMA up to 192kbps/48kHz
Dimensions (H x W x D) 4.97" x 17.25" x 18.36" (126 x 438 x 466mm)
Height Without Feet 4.5" (114mm)
Weight 25.5 lb (11.5kg)
Packed Dimensions (H x W x D) 11" x 27" x 24" (279 x 686 x 610mm)
Packed Weight

35.7 lb (16.2kg)

Mark Levinson No.5206 Specifications
Highlights
  • Pure Path class-A analog signal with two awarded patents
  • 32 Bit/384 kHz Precision Link II DAC with 4x DSD Capability
  • Independent input relays
  • Class-A high pass subwoofer filter
  • Premium hybrid topography phono stage
  • Selectable capacitive and resistive load settings
  • RIAA equalization
  • MQA Full Decode certified
  • Dedicated 80VA toroidal transformer
  • Extensive internal shielding
  • Two separate voltage regulation stages
  • Designed and handcrafted in the USA
Inputs
  • Moving magnet and moving coil inputs
  • Bluetooth audio input including aptX HD support
  • Home theater processor pass-thru mode
Outputs
  • Balanced XLR and single-ended RCA outputs
  • Main Drive class-A headphone output
Control
  • Mark Levinson 5Kontrol App
  • Custom aluminum IR remote
  • IP, RS-232, 12V Trigger In/Out
Networking OTA update capability
Mark Levinson No.5302 Specifications
Highlights
  • Cosmetic-grade external heatsinks
  • IP, RS-232, 12V trigger in/out
  • Designed and handcrafted in the USA
Inputs Balanced XLR and unbalanced RCA inputs
Amplification
  • Class AB channels: 2 x 135 watts per channel into 8§Ù
  • Power doubles to 270 watts per channel into 4§Ù
  • Easily bridgeable for mono 1 x 550W into 4§Ù with a rear-panel switch
  • 2§Ù load stable
Mark Levinson No.5101 & No.5206 & No.5302
¼öÀÔ»ç HMG
¼öÀÔ»ç ȨÆäÀÌÁö www.hmgav.co.kr
±¸¸Å¹®ÀÇ 02-582-9848